Symbolism Art Collection | Perfect for Wall Art, Prints - Page 4 of 9

I lock my door upon myself (1891)

Fernand Khnopff (Belgian, unknown)

A woman stands frozen in a dim room, her gaze distant. The air feels heavy, thick with unspoken thoughts. A locked door looms behind her, sealing away the world outside. Shadows cling to the walls, deepening the silence. Something lingers just beyond reach, hidden in the stillness.
A Romance (1894)

Santiago Rusiñol (Spanish, 1861–1931)

A couple lingers in twilight, their figures blurred yet intimate. The air hums with unspoken words, the warmth of their closeness melting into the shadows. Not a scene, but a feeling—love suspended between breath and silence.
Évocation (Femme À La Montagne)

Odilon Redon (French, 1840–1916)

A woman stands before jagged peaks, her form dissolving into the landscape. The lines blur between flesh and stone, as if the mountain breathes through her. Something pulses beneath the surface—not quite solid, not quite dream.
The Buddha (1904)

Odilon Redon (French, 1840–1916)

A golden Buddha emerges from swirling darkness, his serene face half-lit. The air hums with quiet power, as if the figure might dissolve into the shadows any moment. Mysticism lingers in the brushstrokes, neither fully present nor entirely dream.
Ulysses And The Sirens (Circa 1909)

Herbert James Draper (English, 1863–1920)

Bound to the mast, Ulysses strains against the ropes as the sirens’ song coils around him. Their pale arms reach from the waves, voices weaving through the salt air. The crew rows on, ears stuffed with wax, blind to the creatures whose hunger glints beneath the surface.
Fragment de la maquette pour la décoration du théâtre des auteurs gais, exposition universelle de 1900 (1900)

Henri Bellery-Desfontaines (French, 1867–1909)

A theatrical fragment frozen in time—elaborate costumes swirl against an ornate backdrop, hinting at some grand, forgotten performance. The scene pulses with symbolic energy, where every flourish whispers of a spectacle meant to dazzle the 1900 crowds. What drama unfolded here? The stage remains tantalizingly silent.
Woman with green dress and silver necklaces with pendants (1909)

Max Nonnenbruch (German, 1857–1922)

A woman in a flowing green dress stands poised, silver necklaces glinting against the fabric. The pendants catch the light, their intricate details hinting at untold stories. Her gaze holds something unspoken, drawing you into the quiet mystery of the moment.
Evocation of Roussel (c. 1912)

Odilon Redon (French, 1840–1916)

A spectral figure emerges from swirling darkness, its form hovering between myth and dream. The air hums with unseen energy, as if the veil between worlds has thinned. Colors bleed into each other, dissolving certainty—what’s real slips just beyond reach.
Reapers

Jacek Malczewski (Polish, 1854–1929)

Scythes slice through golden wheat, their curved blades glinting under a heavy sky. Figures bend like shadows across the field, their faces hidden beneath wide-brimmed hats. The harvest feels endless, the workers anonymous—just hands and backs moving in rhythm with the land’s slow breath.