Symbolism Art Collection | Perfect for Wall Art, Prints - Page 5 of 9

Bauernhaus in Buchberg (Oberösterreichisches Bauernhaus) (1911)

Gustav Klimt (Austrian, 1862–1918)

A weathered farmhouse stands against the Austrian countryside, its wooden beams and sloping roof softened by time. Golden light spills across the scene, blurring the line between reality and dream. The land feels alive, humming with quiet energy beneath the structure’s sturdy presence.
Allégorie de la Ville de Paris (1901)

Louise Abbéma (French, 1853–1927)

A woman draped in flowing robes embodies Paris, her gaze steady and commanding. The city’s spirit lingers in her poised stance, symbols of culture and power woven into her attire. Not just a place, but a presence—alive, untamed, and utterly itself.
Vase of Flowers (1916)

Odilon Redon (French, 1840–1916)

A vase overflows with blooms—some delicate, others bold. Their petals seem to glow against the dark, as if lit from within. The flowers don’t just sit; they hum with quiet energy, almost alive. You can almost catch their scent drifting through the stillness.
Vase of Flowers (Pink Background) (ca. 1906)

Odilon Redon (French, 1840–1916)

A burst of delicate blooms rises from the vase, their petals soft against the glowing pink. The flowers seem to hover between reality and dream, their forms dissolving at the edges like half-remembered visions. Something lingers beneath the surface—not just blossoms, but whispers of color and shape.
Kränzewinden (1905)

Ludwig von Hofmann (German, 1861–1945)

Young women weave garlands in a sunlit grove, their bare arms brushing against leaves. The air hums with quiet movement—fabric rustles, stems snap, blossoms tumble into place. A dance of hands and flowers, half-hidden by dappled light.
Valley of the Vistula from Zwierzyniec (1905)

Jacek Malczewski (Polish, 1854–1929)

Golden light spills over the Vistula’s bends, turning the river into liquid amber. The Polish countryside stretches beyond, hushed and waiting—a landscape caught between dream and memory. Something lingers just beyond the trees, half-seen, like a whisper you can’t quite catch.
Bouquet in a Chinese Vase (ca. 1912–14)

Odilon Redon (French, 1840–1916)

Vibrant blooms burst from the porcelain vase, their petals brushing against its delicate blue patterns. The flowers seem to pulse with life against the dark background, as if caught between dream and reality. That Chinese vase anchors them—an unexpected harmony of East and West in a single, luminous arrangement.
La Sainte et le Poète

Gustave Moreau (French, 1826–1898)

A saint and poet stand transfixed, bathed in golden light. Their gazes meet across an unseen divide—one divine, the other yearning. The air hums with unspoken words, a silent dialogue between holiness and human longing. The space between them thrums with tension, neither touching nor parting.
Buddha (1906 – 1907)

Odilon Redon (French, 1840–1916)

A golden Buddha emerges from swirling darkness, his serene face half-lost in shadow. The glow around his head dissolves into mist, as if enlightenment itself might vanish with a breath. No lotus throne or temple—just this floating presence, both solid and ethereal, radiating quiet power through the void.