19th Century Art Archives - Page 8 of 26

Parisina en su toilette

Henri Gervex (French, 1852–1929)

A woman adjusts her pearl necklace before the mirror, her silk robe slipping off one shoulder. The soft glow of candlelight catches the curve of her neck, the quiet intimacy of preparation frozen in brushstrokes. Every detail—the rumpled bed, scattered cosmetics—whispers a story half-told.
Far Away Thoughts1880

Julius Leblanc Stewart (American, 1855–1919)

A woman gazes into the distance, lost in thought. The soft light catches the folds of her dress, rich textures contrasting with her pensive expression. There’s a quiet intensity in her stillness, as if the weight of unspoken words lingers just beneath the surface.
Antonin Proust

Édouard Manet (French, 1832–1883)

A confident gaze meets the viewer, the dark suit and crisp white shirt framing a face alive with intelligence. Loose brushstrokes suggest movement, as if the sitter might lean forward any moment to speak. The background dissolves into shadow, pulling focus to those sharp, observant eyes.
Portrait of a Young Woman (1862)

Edward Harrison May (American, 1824–1887)

A young woman gazes past the viewer, her expression unreadable. The soft light caresses her face, hinting at untold thoughts beneath the composed exterior. Delicate fabrics frame her features, their folds whispering of quiet elegance. There’s a story here, lingering just beyond reach.
The Yellow Jacket (1879)

Winslow Homer (American, 1836–1910)

A girl in a yellow jacket stands against a muted background, her gaze direct and unflinching. The bold color of her coat contrasts with the earthy tones around her, drawing attention to her quiet confidence. There’s a story in her steady eyes, but she isn’t telling—not yet.
Fauna japonica Pl.055 (1833-1850)

Philipp Franz Balthasar von Siebold (German, 1796–1866)

Delicate wings spread against rough bark, a Japanese moth rests in precise detail. The engraving balances scientific accuracy with quiet beauty, each line revealing textures of scale and chitin. A moment frozen between specimen study and artistic tribute to nature’s intricate designs.
Le bal (1890)

Henri Gervex (French, 1852–1929)

A swirl of satin and laughter fills the room—gloved hands brush against waistcoats as couples spin across the polished floor. Candlelight glints off champagne glasses, casting fleeting shadows on flushed faces. The air hums with whispered secrets and the rustle of silk skirts keeping time to an unseen waltz.
Chariot (1875)

Henry Collins Bispham (American, unknown)

A lone chariot cuts through the dust, its wheels barely touching the earth. The horses strain forward, muscles taut, as if racing against time itself. No driver in sight—just raw motion, power barely contained.
Bildnis des Malers Berthold Winder

Anton Romako (Austrian, 1832–1889)

A man’s gaze holds steady, his face shadowed but alert. The brushstrokes suggest restlessness beneath the composed surface—an artist caught between observation and creation. The portrait lingers, unposed, as if he might turn away at any moment.