Portrait

  • An Interesting Story (Miss Ray) (1806)

    An Interesting Story (Miss Ray) (1806)

    William Wood (English, unknown)

    A young woman leans forward, lips parted as if mid-sentence, her eyes alight with some unspoken tale. The folds of her dress catch the light, soft shadows pooling around her eager posture. There’s mischief in her expression—whatever story she’s telling, you’d lean closer to hear it.

  • Young Woman in Black (1902)

    Young Woman in Black (1902)

    Robert Henri (American, 1865–1929)

    A woman in a black dress meets your gaze, her expression unreadable. The dark fabric contrasts sharply with her pale skin, drawing you into the quiet intensity of her presence. There’s a story in her stillness, but she isn’t telling—yet.

  • Mädchen mit Puderquaste (circa 1925)

    Mädchen mit Puderquaste (circa 1925)

    Brynolf Wennerberg (Swedish, 1866–1950)

    A girl holds a powder puff, her gaze distant. The soft brush contrasts with the sharp angles of her face, caught between youth and something darker. The colors hum with quiet tension, a portrait that lingers just beyond reach.

  • Annäherung (circa 1910)

    Annäherung (circa 1910)

    Brynolf Wennerberg (Swedish, 1866–1950)

    A woman’s face emerges from shadow, her gaze distant yet piercing. The brushstrokes blur the line between presence and memory, leaving just enough detail to haunt.

  • Kitty by firelight (c. 1897)

    Kitty by firelight (c. 1897)

    James Jebusa Shannon (American, 1862–1923)

    A cat’s eyes gleam in the firelight, fur glowing warm against the dark. The flames flicker, casting shifting shadows across its face—quiet, watchful, alive in the dim glow.

  • Lily Elsie (Mrs Bullough) (1916)

    Lily Elsie (Mrs Bullough) (1916)

    James Jebusa Shannon (American, 1862–1923)

    A woman gazes softly, her delicate features framed by an elegant hat. The light catches the subtle curve of her lips, hinting at a quiet confidence. There’s a warmth in her expression, as if she’s just paused mid-thought, inviting you to linger a moment longer.

  • Leonora

    Leonora

    William Clarke Wontner (English, 1857–1930)

    A woman gazes from the canvas, her Victorian dress rich with detail, the soft light catching the folds of fabric. There’s a quiet intensity in her expression—neither smiling nor solemn, but something in between, as if she’s just paused mid-thought. The portrait lingers, unreadable.

  • An Oriental Beauty

    An Oriental Beauty

    Charles Dubreuil (French, unknown)

    A woman gazes past the frame, her silk robes pooling like liquid gold. The play of shadow across her face hints at untold stories behind those dark eyes. Every fold of fabric whispers of distant lands, while her stillness holds the weight of unspoken longing.

  • Emma Eburne Knitting a Sweater

    Emma Eburne Knitting a Sweater

    William Oliver (English, 1804–1853)

    Emma’s fingers move deftly, yarn looping around needles as the sweater takes shape. Her focused gaze lingers just beyond the frame, lost in the rhythm of each stitch. The wool, warm and textured, contrasts with the quiet intensity in her hands—a moment suspended between creation and contemplation.