Printmaking Archives - Page 2 of 12

De uitlandsche kapellen voorkomende in de drie waereld-deelen, Asia, Africa en America pl13 (1779-1782)

Pieter Cramer (Dutch, 1721–1776)

Delicate wings unfurl in precise engravings, each vein and spot meticulously recorded. These butterflies, frozen mid-flight, reveal nature’s intricate patterns—a silent dance of color and form across continents.
Abbildungen zu Oken’s Allgemeiner Naturgeschichte für alle Stände Pl.061 (1841)

Lorenz Oken (German, unknown)

Delicate veins branch across translucent leaves, each curve etched with precision. A hidden world unfolds—petals unfurl, stems twist, nature’s geometry laid bare in ink. No flourish escapes the page; every thorn and tendril holds its place. Here, science and art share the same sharp line.
Hypholoma capnoides Fr. (1915-1945)

Hans Walty (Swiss, 1868-1948)

Delicate gills fan out beneath the pale cap, each rib precise as lace. The mushroom stands solitary, its muted hues etched with scientific clarity—a quiet study of decay’s quiet elegance.
Anthias testudineus, The Tortoise-fish. (1785-1797)

Marcus Elieser Bloch (German, 1723–1799)

A delicate fish with tortoise-like markings swims across the page, its scales etched in precise lines. The engraving balances scientific detail with quiet elegance, turning a marine creature into something both studied and artful.
Atlas państwa zwierzęcego Pl.51 (1905)

Kurt Lampert (German, unknown)

A meticulous grid of creatures—each insect, bird, and mammal pinned in place like specimens under glass. The lines are sharp, the details exact, yet the page hums with hidden life. Every stroke feels like a scientist’s hand pausing mid-dissection, caught between order and wildness.
Perca Guttata, The Hind. (1785-1797)

Marcus Elieser Bloch (German, 1723–1799)

Scales glisten under imagined light, each delicate fin etched with precision. The perch’s spotted flank curves gracefully, frozen mid-motion as if still drifting through dark water. A meticulous study of texture and form, every line serves both science and art.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.052 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart across the page, their scales shimmering in impossible hues. A crimson crab claws at a cobalt crayfish, both creatures twisted into fantastical shapes. The sea bursts with life—each specimen more bizarre than the last, as if pulled from a fever dream of the deep.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.001 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish, crayfish, and crabs twist across the page, their exaggerated forms and wild colors defying nature. Each creature seems to leap from the depths of imagination, more fantastical than real. The sea’s oddities parade in a riot of scales and claws, daring you to look closer.
Natural History (Galerya obrazowa zwiérząt czyli Historya naturalna) Pl.66 (1839)

Anton Benedikt Reichenbach (German, 1804–1877)

A detailed engraving of animals, their forms etched with precision—each line alive with texture and movement. The creatures seem poised between the page and the wild, frozen yet full of life.