Printmaking

  • Atlas państwa zwierzęcego Pl.75 (1905)

    Atlas państwa zwierzęcego Pl.75 (1905)

    Kurt Lampert (German, unknown)

    A meticulous engraving dissects the animal kingdom—each line precise, each creature frozen in scientific scrutiny. The page hums with hidden order, where fur, scale, and feather submit to the grid of study. Life pinned, yet pulsing beneath the ink.

  • Atlas państwa zwierzęcego Pl.96 (1905)

    Atlas państwa zwierzęcego Pl.96 (1905)

    Kurt Lampert (German, unknown)

    A meticulous engraving of the animal kingdom, each line precise as a scientist’s sketch. Creatures frozen in motion, their forms rendered with the clarity of a field guide—yet alive with the energy of the wild.

  • Recherches sur les poissons fossiles Pl.206 (1833-1843)

    Recherches sur les poissons fossiles Pl.206 (1833-1843)

    Louis Agassiz (American, 1807–1873)

    Delicate bones press through stone, frozen mid-swim. Fins splay like lace against the rock, each spine etched with precision. This fish hasn’t moved in millennia, yet every gill seems ready to flutter. The engraving makes extinction feel startlingly alive.

  • A synopsis of the birds of Australia, and the adjacent Islands Pl.08 (1837-1838)

    A synopsis of the birds of Australia, and the adjacent Islands Pl.08 (1837-1838)

    Elizabeth Gould (English, 1804–1841)

    Two parrots perch on a gnarled branch, their emerald and crimson feathers stark against the muted greens. One cocks its head, beak slightly open, as if interrupted mid-chatter. The detailed engraving freezes their wild energy—a fleeting glimpse of Australia’s untamed avian life.

  • Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.023 (1718-1719)

    Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.023 (1718-1719)

    Louis Renard (French, 1678–1746)

    Vibrant fish dart between spiny crabs and oddly shaped crayfish, their scales gleaming in impossible colors. The seafloor teems with creatures both familiar and bizarre, each rendered in meticulous detail—a kaleidoscopic menagerie defying nature’s usual palette.

  • Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.017 (1718-1719)

    Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.017 (1718-1719)

    Louis Renard (French, 1678–1746)

    Vibrant fish, crayfish, and crabs twist across the page—some striped, others spiked, all rendered in exaggerated hues. The creatures seem to writhe with life, their unnatural colors and strange forms blurring the line between scientific record and wild imagination.

  • Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.008 (1718-1719)

    Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.008 (1718-1719)

    Louis Renard (French, 1678–1746)

    Vibrant fish dart among spiny crabs and crayfish, their scales shimmering in impossible hues. The creatures twist in exaggerated forms, as if plucked from a fevered dream of the sea’s strangest depths. Each engraving pulses with unnatural color, bending reality into something wilder.

  • Atlas państwa zwierzęcego Pl.54 (1905)

    Atlas państwa zwierzęcego Pl.54 (1905)

    Kurt Lampert (German, unknown)

    A meticulous grid of creatures—each line precise, each form alive. Beetles, birds, and serpents crowd the page, their details sharp as if caught mid-motion. Science and art collide in this ordered menagerie, where every specimen demands a closer look.

  • Pleuronectes Argus, The Argus-Flounder. (1785-1797) (1)

    Pleuronectes Argus, The Argus-Flounder. (1785-1797) (1)

    Marcus Elieser Bloch (German, 1723–1799)

    The flounder lies flat against the seabed, its mottled skin blending with sand. One eye has migrated to the upper side, giving it an asymmetrical gaze. Delicate engravings trace each scale, revealing how this odd fish hides in plain sight.