Religious Figures

  • A Young Saint

    A Young Saint

    John William Waterhouse (British, 1849-1917)

    A young saint stands in quiet contemplation, bathed in soft light. The folds of her robe whisper devotion, while her distant gaze hints at visions unseen. There’s holiness here, not in grandeur, but in the stillness of a moment suspended between earth and something beyond.

  • The Magdalen with the Smoking Flame (circa 1635-37)

    The Magdalen with the Smoking Flame (circa 1635-37)

    Georges de La Tour (French, unknown)

    A lone woman sits in shadow, her face lit by a single flame. The flickering light catches the curve of her skull, the folds of her robe, the stillness of her hands. A mirror lies facedown beside her. The air feels thick with quiet contemplation, the flame’s glow both intimate and isolating.

  • Saint Agnes

    Saint Agnes

    Taddeo di Bartolo (Italian, 1362–1422)

    A young woman stands solemnly, her lamb resting at her feet. Gold leaf halos her head as she clutches a palm frond—martyrdom’s quiet symbol. The folds of her robe drape with weight, as if carved from stone. Her gaze holds something unbroken, even in stillness.

  • St Cecilia

    St Cecilia

    John William Waterhouse (British, 1849-1917)

    A saint sits enraptured, fingers hovering above the strings. An angel leans close, whispering divine melodies only she can hear. The air hums with silent music, her face alight with celestial inspiration. Golden light spills across her robes, blurring the line between earthly devotion and heavenly communion.

  • The Repentant Magdalen (c. 1635-1640)

    The Repentant Magdalen (c. 1635-1640)

    Georges de La Tour (French, unknown)

    A single candle flickers in the dark, casting soft light on Mary Magdalene’s bowed head. Her hands rest on a skull, its hollow gaze mirroring her quiet sorrow. The flame’s glow licks at the edges of the frame, leaving the rest swallowed by shadow—a moment suspended between penance and peace.

  • Saint Benedict (ca. 1640–45)

    Saint Benedict (ca. 1640–45)

    Francisco de Zurbarán (Spanish, 1598–1664)

    A monk stands cloaked in shadow, gripping a wooden cross. The folds of his robe catch the light, stark against the darkness. His gaze is steady, unwavering—a quiet defiance. The painting hums with restrained power, drawing you into the stillness of his resolve.

  • Mary Magdalene (1540-50)

    Mary Magdalene (1540-50)

    Moretto Da Brescia (Italian, 1492–1554)

    A woman kneels in contemplation, her gaze turned inward. The light catches her flowing hair and the jar beside her—hints of a story untold. Rich fabrics drape around her, but it’s the quiet intensity in her posture that holds the eye. This is a moment suspended between devotion and mystery.