Rural

  • Paysage Avec Maisons Et Mur De Clôture, Givre Et Brume, Éragny (1892)

    Paysage Avec Maisons Et Mur De Clôture, Givre Et Brume, Éragny (1892)

    Camille Pissarro (French, 1830–1903)

    A misty winter scene where frost and fog blur the lines between village and countryside, painted with delicate, atmospheric brushstrokes.

  • La route (Seine-et-Marne)

    La route (Seine-et-Marne)

    Jean Charles Cazin (French, 1841–1901)

    A tranquil country path bathed in hazy light, where every brushstroke feels like a half-remembered dream.

  • La cueilleuse de cerises

    La cueilleuse de cerises

    Pierre Louis Bouchard (French, 1800–1870)

    A woman gathers cherries under dappled sunlight, her quiet labor a tribute to the harmony between human hands and nature’s bounty.

  • Peasant Girl Returning From The Well (c. 1860)

    Peasant Girl Returning From The Well (c. 1860)

    Jean-François Millet (French, 1814–1875)

    A young girl carries a water jug through a field, her quiet strength and the earthy tones painting a vivid portrait of rural toil.

  • Théodore Rousseau’s House In Barbizon

    Théodore Rousseau’s House In Barbizon

    Jean-François Millet (French, 1814–1875)

    A tranquil depiction of a rustic house bathed in soft light, where every brushstroke celebrates the quiet poetry of rural existence.

  • Vétheuil in Summer  (1880)

    Vétheuil in Summer (1880)

    Claude Monet (French, 1840–1926)

    A sunlit riverside scene bursting with color and movement, where light and nature blend in harmonious strokes.

  • Berry Pickers (1873)

    Berry Pickers (1873)

    Winslow Homer (American, 1836–1910)

    A sunlit field hums with quiet activity as figures gather berries, their movements blending with the landscape.

  • Winter Landscape (1876)

    Winter Landscape (1876)

    Ivan Konstantinovich Aivazovsky (Russian, 1817–1900)

    A tranquil snowscape where light and shadow dance across untouched winter stillness.

  • View from Rook’s Hill, Kent (1843)

    View from Rook’s Hill, Kent (1843)

    Samuel Palmer (English, 1805–1881)

    A luminous twilight landscape where fields and sky merge in quiet harmony, dotted with the soft glow of distant cottages.