Woman Archives - Page 17 of 27

Portrait of Helen Vincent, Viscountess D’Abernon (1904)

John Singer Sargent (American, 1856-1925)

Helen Vincent’s poised elegance fills the frame, her gaze both direct and elusive. The rich textures of her gown contrast with the soft glow of her skin, a study in aristocratic grace. There’s something unspoken in her expression—neither smile nor frown, but a quiet, knowing presence.
Portrait Of Edith Hope Iselin (1930)

Philip Alexius de László (Hungarian, unknown)

A poised woman gazes past the frame, her dark dress contrasting with the soft glow of her skin. The hint of a smile lingers, suggesting a private thought left unspoken. Light catches the pearls at her neck, their luster mirroring the quiet confidence in her eyes.
11 Heures Du Soir. Portrait from Les Dix-huit Heures d’une Parisienne (c. 1830)

Achille Devéria (French, 1800–1857)

A Parisian woman at midnight, her face half-lit by candlelight. The loose curls and slipping shawl suggest a private moment, caught between evening’s end and night’s secrets. The glow softens her features but sharpens the shadows behind her—what thoughts linger in those unreadable eyes?
Reading (1873)

Berthe Morisot (French, 1841–1895)

A woman sits absorbed in a book, sunlight dappling her dress. The brushstrokes blur the line between figure and air, as if she might dissolve into the afternoon. Her stillness hums with quiet intensity—the world outside the page fades to a murmur.
Woman at a Window (1880 – 1911)

Jozef Israëls (Dutch, 1824–1911)

A woman stands by the window, her silhouette framed against the light. The room feels still, heavy with quiet. Her gaze lingers somewhere beyond the glass, lost in thought or memory. The ordinary moment holds something unspoken, a tension between the warmth inside and the world waiting outside.
Dame in Gelb (1899)

Max Kurzweil (Austrian, 1867–1916)

A woman in a luminous yellow dress turns slightly, her face half-hidden. The brushstrokes blur the background into softness, making her the only sharp point in a world of whispers. That dress glows like sunlight through stained glass—bold against the muted tones around her.
Mrs. Frederick Mead (Mary Eliza Scribner) (1893)

John Singer Sargent (American, 1856-1925)

A woman in black lace gazes past the viewer, her gloved hand resting lightly on a chair. The rich fabric of her dress pools around her, shadows playing across its folds. There’s a quiet intensity in her expression—neither posed nor candid, but something lingering between the two.
1866 [Women’s fashion in nineteenth-century Paris] (1902)

Henri Boutet (French, 1851–1919)

A Parisian woman adjusts her gloves, the intricate lace of her gown catching the light. The folds of her skirt whisper against the cobblestones, a fleeting glimpse of 19th-century elegance frozen in time. Every ruffle and ribbon speaks of an era when fashion was both armor and art.
Her Leisure Hour (ca. 1925)

Irving Ramsay Wiles (American, 1861–1948)

A woman lounges in quiet repose, sunlight draping her form. The folds of her dress pool around her, soft against the chair. A book rests forgotten in her lap—distracted or simply lost in thought. The room hums with unspoken stillness, that rare pause between one moment and the next.