Explore Artworks

A Fish from the Red Sea

Luigi Balugani (Italian, 1737–1770)

A vibrant fish glides through coral shadows, its scales catching the light like shards of stained glass. The Red Sea’s blues swirl around it, alive with hidden currents. Every brushstroke pulses with underwater motion—this creature could dart off the page in a flick of its tail.
Great Barrier Reef Fishes (1893)

William Saville-Kent (English, 1841–1908)

Vibrant fish dart across the page, their scales shimmering like scattered gems in shallow reef waters. Each stroke captures the electric blues and fiery oranges of life beneath the surface.
Summer Evening on Skagen Beach, Portrait of the Artist’s Wife (1899)

Peder Severin Krøyer (Danish, unknown)

Golden light spills across the shore as a woman stands barefoot in the sand, her white dress catching the breeze. The sea melts into twilight behind her, all soft blues and fading warmth. There’s a quiet here—the hush of waves, the cool touch of evening air on sun-warmed skin.
Partie Di Monaco Bei Nizza

Albert Zimmermann (German, 1809–1888)

Waves crash against Monaco’s rugged cliffs, sunlight glinting off the restless sea. A coastal path winds through wild greenery, leading the eye toward distant Nizza. The air hums with salt and wind, the landscape alive under a vast, shifting sky.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.100 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart across the page, their scales shimmering in impossible hues. A crimson crayfish brandishes its claws beside a crab with spiked armor. Each creature twists in exaggerated forms, as if plucked from a fever dream of the deep.
Blumenstillleben (1834)

Eugène Delacroix (French, 1798–1863)

Vibrant petals spill across the canvas—roses heavy with dew, tulips curling at the edges. The bouquet feels alive, as if plucked from a sunlit garden moments ago. Dark leaves twist against soft blooms, their shadows pooling like spilled ink. A quiet riot of color, poised between freshness and decay.
Cairo

Ludwig Hans Fischer (German, unknown)

Golden minarets rise above sunbaked streets, their shadows stretching across the dust. Palm fronds rustle against terracotta rooftops, while distant figures move through the haze. The Nile glints beyond, a silent witness to the city’s pulse. Cairo hums with heat and history, frozen in one luminous moment.
The salon (1879)

Pio Ricci (Italian, 1850–1919)

A dimly lit salon hums with hushed conversation. Velvet drapes pool on the floor as figures lean in, their faces half-shadowed by flickering gaslight. The air smells of cigar smoke and spilled absinthe. Someone laughs too loudly; a glove drops unnoticed onto the patterned carpet.
Sappho

Jules Joseph Lefebvre (French, 1836–1911)

A solitary woman clutches a lyre, her gaze lost in distant thought. The folds of her robe drape softly, echoing the melancholy of unspoken verses. Here, the muse of Greek poetry lingers—not in triumph, but in quiet contemplation, her fingers pausing above the strings as if weighing each word.
Hark! Hark! (1880s)

Francis Donkin Bedford (English, 1864–1954)

Two children lean in, wide-eyed, as one whispers urgently over an open book. The glow of the page lights their faces—something sacred or secret hangs between them. A hush falls, the air thick with unspoken wonder. What story could hold them so rapt?
Coryphaena coerulea, The Bleu-Fish (1785-1797)

Marcus Elieser Bloch (German, 1723–1799)

A shimmering blue fish leaps from the page, scales etched with precision, its form both delicate and alive. The engraving captures every curve, every fin, as if frozen mid-motion in some unseen current.
First Steps, after Millet (1890)

Vincent van Gogh (Dutch, 1853–1890)

A mother guides her child’s wobbly steps across a sunlit field, their shadows stretching long behind them. The rough brushstrokes mirror the earth’s texture—tilled soil, tufts of grass, the weight of labor and tenderness in each stride.
Coronation of the Virgin (about 1420)

Gentile da Fabriano (Italian, 1370–1427)

Golden light bathes the Virgin as angels lower a jeweled crown onto her head. Their wings shimmer against the deep blue, their faces alight with reverence. Below, saints and martyrs gaze upward, caught in this moment of divine grace. Every inch glows with intricate patterns and radiant gold leaf.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.020 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart across the page, their scales shimmering in impossible hues. A crimson crab claws at a cobalt crayfish, frozen mid-battle. These creatures defy nature—flaring fins, exaggerated spines, colors too bold for any ocean. Each specimen twists reality into something stranger, wilder.
A synopsis of the birds of Australia, and the adjacent Islands Pl.24 (1837-1838)

Elizabeth Gould (English, 1804–1841)

A vibrant lorikeet perches among twisting branches, its emerald feathers stark against the paper’s muted tones. Delicate lines trace each barb of its wings, while the beak curves toward unseen fruit. This isn’t just a bird—it’s a meticulous record of life in the antipodean canopy.