Explore Artworks

Foreign butterflies occurring in the three continents Asia, Africa and America Pl.243 (1779-1782)

Pieter Cramer (Dutch, 1721–1776)

Vibrant wings unfurl across continents—delicate patterns from Asia, bold hues of Africa, and exotic shades of the Americas. Each butterfly, meticulously detailed, carries whispers of distant lands in its fragile symmetry. A silent migration frozen on paper, bridging worlds through the artistry of nature’s fleeting beauty.
Sharing confidences

Louis Icart (French, 1880–1950)

A woman in 1920s fashion leans close to her dog, whispering secrets into its ear. The hound tilts its head, listening intently. Silk drapes around them, catching the light—an intimate moment of elegance and quiet understanding between two companions.
Reapers

Jacek Malczewski (Polish, 1854–1929)

Scythes slice through golden wheat, their curved blades glinting under a heavy sky. Figures bend like shadows across the field, their faces hidden beneath wide-brimmed hats. The harvest feels endless, the workers anonymous—just hands and backs moving in rhythm with the land’s slow breath.
Field flowers (1916)

Tadeusz Makowski (Polish, 1882–1932)

A wild tangle of blossoms bursts from the canvas, their petals thick with paint. Rustic stems twist upward, carrying the untamed energy of an open meadow. The colors hum—golden yellows, deep blues, a flicker of crimson—each brushstroke alive with the raw simplicity of nature’s untended beauty.
Insecta Lepidoptera-Rhopalocera Pl 020 (1879-1915)

Frederick DuCane Godman (English, 1834–1919)

Delicate wings unfurl in precise detail, each vein and spot rendered with scientific clarity. The butterfly’s symmetry is almost unreal, as if pinned between the pages of a hidden world.
Bauernhaus in Buchberg (Oberösterreichisches Bauernhaus) (1911)

Gustav Klimt (Austrian, 1862–1918)

A weathered farmhouse stands against the Austrian countryside, its wooden beams and sloping roof softened by time. Golden light spills across the scene, blurring the line between reality and dream. The land feels alive, humming with quiet energy beneath the structure’s sturdy presence.
Pholiota mutabilis Schaeffer. (1915-1945)

Hans Walty (Swiss, 1868-1948)

The Pholiota mutabilis clings to damp bark, its gills fanned like delicate pleats. The cap’s golden-brown hue darkens at the edges, as if stained by the forest’s shadows. A fleeting specimen, poised between decay and growth—here one season, gone the next.
Allégorie de la Ville de Paris (1901)

Louise Abbéma (French, 1853–1927)

A woman draped in flowing robes embodies Paris, her gaze steady and commanding. The city’s spirit lingers in her poised stance, symbols of culture and power woven into her attire. Not just a place, but a presence—alive, untamed, and utterly itself.
Paysage maritime

Ferdinand du Puigaudeau (French, 1864–1930)

Waves lick the hulls of moored boats, their masts tilting against a dusky sky. The shoreline stretches, rough and untamed, where sea meets land in a dance of muted blues and ochres. A quiet tension lingers—the calm before a storm, or perhaps the hush after one.
Portrait of Charles Auguste de Bériot

Horace Vernet (French, 1789–1863)

Charles Auguste de Bériot’s fingers hover above the violin strings, poised between silence and sound. His gaze, intense yet distant, suggests a mind already lost in the next melody. The bow rests lightly in his hand—a moment before the music begins.
Le petit poucet (1904)

A. Guillon (French, unknown)

A child clutches a handful of pebbles, eyes wide with determination. The forest looms behind him, shadows stretching like grasping fingers. A fairy tale moment frozen—small against the vast unknown, yet stubbornly hopeful. Those tiny stones might just save him.
Girl Reading A Letter By An Open Window

Johannes Vermeer (Dutch, 1632–1675)

A woman stands by the window, sunlight spilling over her shoulders. The letter in her hands holds her still, its contents pulling her into a private world. The quiet room hums with unspoken words, the moment suspended between reading and reaction. What news has stopped her breath?
Saint Catherine of Alexandria (ca 1597)

Caravaggio (Italian, 1571–1610)

A young woman gazes upward, her face illuminated against the dark. A palm branch rests in her hand—martyrdom’s quiet symbol. The blade’s shadow looms near her neck, yet her expression holds neither fear nor triumph, only a stillness that lingers between life and something beyond.
Sisterly Advice (1887)

William Oliver (English, 1804–1853)

Two sisters sit close, one whispering intently while the other listens with downcast eyes. The folds of their dresses tangle together like secrets shared in hushed tones. A moment suspended—half guidance, half hesitation—where youth leans on experience and neither speaks aloud what both already know.
Misbehaving (1897)

Henriëtte Ronner-Knip (Dutch, 1821–1909)

Two kittens tumble across a polished floor, their tiny claws scrambling for purchase. One bats at a fallen spool of thread while the other crouches, ears flattened—caught mid-mischief in the quiet glow of a domestic afternoon. The thread unravels toward the edge of the frame, trailing disorder.