Explore Artworks

  • 1. Chaetodon unimaculatus; 2. Chaetodon arcuatus, The Arc-Fish. (1785-1797)

    1. Chaetodon unimaculatus; 2. Chaetodon arcuatus, The Arc-Fish. (1785-1797)

    Marcus Elieser Bloch (German, 1723–1799)

    Two tropical fish, one spotted, the other striped in bold arcs, float against a blank background. Their delicate fins and intricate patterns emerge from precise black lines, each scale rendered with scientific clarity. The contrast between their forms highlights nature’s playful variations within a single species.

  • Le chien ‘Donki’ (1876)

    Le chien ‘Donki’ (1876)

    Édouard Manet (French, 1832–1883)

    A small black dog pauses mid-step, ears perked. The loose brushstrokes suggest movement—perhaps it just heard its name called. No background distracts from the alert posture, the dark fur catching light in quick dabs. A pet caught between stillness and action.

  • Schöne mit Weinkaraffe

    Schöne mit Weinkaraffe

    Leopold Schmutzler (German, unknown)

    A woman holds a wine carafe, her gaze lingering just beyond the frame. The light catches the glass, casting soft reflections—an intimate moment suspended between pouring and waiting. There’s a quiet tension in her stillness, as if the next gesture might unravel everything.

  • Interiør med ung pige stående ved vinduet

    Interiør med ung pige stående ved vinduet

    Carl Holsøe (Danish, unknown)

    A young girl stands by the window, sunlight pooling at her feet. The room holds its breath—still, quiet, waiting. Her gaze lingers beyond the glass, somewhere the walls can’t follow. The air hums with unspoken thoughts, the quiet tension of a moment paused.

  • A Beauty In Eastern Costume

    A Beauty In Eastern Costume

    William Clarke Wontner (English, 1857–1930)

    A woman draped in rich Eastern fabrics gazes past the viewer, her delicate features framed by intricate jewelry. The folds of her gown catch the light, hinting at movement frozen in time. There’s a quiet intensity in her distant expression, as if lost in thought just beyond the canvas.

  • Nude in a Garden

    Nude in a Garden

    William Henry Kemble Yarrow (American, unknown)

    Sunlight dapples across bare skin, blending flesh with foliage. A figure lounges among tangled greenery, limbs relaxed yet charged with quiet energy. The garden breathes around them—alive, untamed. Leaves whisper against skin, blurring the line between body and earth. No adornments, no pretenses—just raw, verdant existence.

  • Portrait de Madame Charles Chaplin (1863)

    Portrait de Madame Charles Chaplin (1863)

    Charles Chaplin (French, 1889–1977)

    A young woman gazes past the viewer, her delicate features framed by soft curls. The lace at her collar catches the light, contrasting with the rich darkness of her dress. There’s a quiet intensity in her expression—neither melancholy nor joy, but something poised between the two.

  • Nu à la psyche (1910)

    Nu à la psyche (1910)

    Henri Gervex (French, 1852–1929)

    A woman stands before a mirror, her body bathed in soft light. The reflection blurs the line between reality and illusion, her gaze meeting ours through the glass. The curve of her back, the fall of fabric—each detail pulls us deeper into this intimate moment suspended between seeing and being seen.

  • Sunny Days

    Sunny Days

    Lawrence Alma-Tadema (English, 1836–1912)

    Sunlight spills across marble steps, warming the draped figures lounging in idle luxury. A forgotten lyre leans against a pillar as laughter lingers in the air—a fleeting Roman afternoon preserved in pigment. The scene hums with quiet indulgence, where time slows beneath the Mediterranean glow.

  • The Rose

    The Rose

    Frédéric Soulacroix (French, 1858–1933)

    A woman holds a single rose, its petals soft against her fingertips. The light catches the delicate folds of her dress, framing the quiet intensity in her gaze. There’s something unspoken in the way she cradles the flower—a moment suspended between offering and keeping.

  • A Greek Woman (1869)

    A Greek Woman (1869)

    Lawrence Alma-Tadema (English, 1836–1912)

    A Greek woman stands in profile, draped in flowing white linen. Her fingers lightly touch a marble column as sunlight catches the folds of her garment. The air feels still, heavy with the warmth of an afternoon long past. Every detail whispers of quiet dignity and unspoken stories.

  • Interiør med et rødt sjal (1913)

    Interiør med et rødt sjal (1913)

    Peter Ilsted (Danish, 1861–1933)

    A red shawl drapes over a chair, its folds catching the light in a quiet room. Shadows pool around the edges, softening the edges of furniture. The fabric’s warmth hums against the muted tones, an invitation to pause—just for a moment—before stepping back into the stillness.

  • A Classical Beauty

    A Classical Beauty

    Léon François Comerre (French, 1850–1916)

    A young woman gazes past the viewer, her delicate features framed by cascading curls. The soft glow of her ivory skin contrasts with the rich, dark background, lending an air of quiet elegance. Her poised expression hints at unspoken thoughts, drawing the eye to linger.

  • A woman playing the lute and a man listening

    A woman playing the lute and a man listening

    Eglon van der Neer (Dutch, 1635–1703)

    A woman’s fingers dance across the lute strings, her gaze distant. The man leans in, caught between the music and her presence—a silent exchange woven through sound. The room holds its breath.

  • Perca Guttata, The Hind. (1785-1797) (1)

    Perca Guttata, The Hind. (1785-1797) (1)

    Marcus Elieser Bloch (German, 1723–1799)

    The spotted perch glides across the page, its scales etched with precision—each dot, each fin rendered in sharp detail. A scientific study transformed into art, where even the gills seem to pulse with life. The fish isn’t just depicted; it’s preserved in ink, frozen mid-swim.