Explore Artworks

Les Glaieuls

Victor Gabriel Gilbert (French, 1847–1935)

Gladiolus blooms burst from a vase, their petals glowing like stained glass. Each stem arches with weight, heavy with color—crimson, gold, violet. Light pools on the table, catching the delicate curl of a fallen petal. The air feels thick with the scent of summer.
The blue veil

Fabio Fabbi (Italian, 1861–1945)

A woman’s face half-hidden beneath a translucent blue veil, the fabric catching light like water. Shadows deepen around her eyes, hinting at something unspoken. The color saturates the scene—cool, mysterious, pulling you closer to what lies just out of sight.
Tetrodon Lagocephalus, The Starry Globe-fish. (1785-1797)

Marcus Elieser Bloch (German, 1723–1799)

The starry globe-fish floats suspended, its spiked body a delicate map of constellations against the paper’s pale void. Each engraving line traces the precise curve of its spines, the subtle gradient of its speckled skin—a scientific record transformed into quiet, meticulous art.
Les Bleuets (1882)

Charles Landelle (French, 1821–1908)

A woman in a white dress holds a bouquet of blue cornflowers, their vivid hue echoing the ribbon at her waist. Her gaze drifts past the viewer, lost in thought. The delicate petals contrast with the rough texture of her straw hat, capturing a quiet moment of summer reflection.
Untitled (ca. 1900)

Carolus-Duran (French, 1837–1917)

A woman gazes past the viewer, her dark dress blending into the shadows. Light catches the delicate lace at her collar and the soft curve of her cheek, suggesting a quiet moment of reflection. The brushwork feels both precise and fleeting, as if capturing a thought just before it slips away.
Abbildungen zu Oken’s Allgemeiner Naturgeschichte für alle Stände Pl.089 (1841)

Lorenz Oken (German, unknown)

Delicate veins branch across translucent leaves, each curve precise as a surgeon’s incision. The engraving freezes their sprawl mid-growth—not specimens pinned to a page, but living forms caught between breath and decay. Even the shadows seem to pulse.
My Lady’s Garden (1905)

Edmund Blair Leighton (English, 1853–1922)

A woman in a flowing Victorian dress stands among lush garden blooms, sunlight dappling her sleeves. Her gaze lingers on something unseen, fingers brushing petals with quiet intent. The air hums with unspoken longing, the kind that lingers in green shadows and half-turned shoulders.
Natural History (Galerya obrazowa zwiérząt czyli Historya naturalna) Pl.15 (1839)

Anton Benedikt Reichenbach (German, 1804–1877)

A detailed engraving of animals, their forms etched with precision—each line alive with texture and movement. The creatures seem poised between stillness and action, frozen yet dynamic. A glimpse into the wild, rendered with meticulous care.
Lady with a Bouquet (Snowballs) (1890)

Charles Courtney Curran (American, 1861–1942)

A woman in white holds a bouquet of snowball flowers, their round clusters soft against her dress. Sunlight filters through, catching the delicate petals and the folds of her sleeves. There’s a quiet grace in the way she stands, as if pausing mid-breath, surrounded by blossoms and warmth.
Sicilian Landscape, Etna in the Background

Max Friedrich Rabes (German, 1868–1944)

The Sicilian countryside stretches under a hazy sky, its rolling fields leading to the distant silhouette of Mount Etna. The volcano looms quietly, its presence both serene and ominous against the golden landscape.
Girl Holding Lemons (1899)

William Bouguereau (French, 1825–1905)

A barefoot girl cradles lemons against her sun-warmed dress, their yellow glow brighter than the straw at her feet. Her gaze holds something between pride and hesitation—as if she’s weighing whether to share them or clutch them tighter. The fruit’s sharp scent almost rises from the canvas.
Fleurs au Bord Belle-île-en-Mer (Flowers near Belle-île-en-Mer) (1909)

Maxime Maufra (French, 1861–1918)

Wildflowers burst along the rugged coastline, their colors sharp against the sea’s restless blues. The land meets water in a dance of untamed beauty, where petals cling to cliffs and salt air hums through the stems. A fleeting balance—soft blooms against stone, delicate life persisting where earth fractures into waves.
Fishes X (1885-1890)

Frederick McCoy (Irish, unknown)

Delicate watercolor strokes bring these fish to life—each scale, fin, and glint of light rendered with scientific precision. The colors bleed softly, as if the creatures might dart off the page into deeper water.
Maison de Victor Hugo, rue Notre-Dame-des-Champs (1905)

Paul Madeline (French, 1863–1920)

Sunlight dapples the cobbled street outside Victor Hugo’s old home, where shadows stretch long and warm. The building’s pale facade glows against the muted greens of Paris in summer, a quiet corner humming with history.
Old Woman Reading The Bible (1904)

Albert Anker (Swiss, 1831–1910)

An elderly woman sits hunched over her Bible, fingers tracing the worn pages. The light from the window catches her glasses as she mouths the words silently, lost in devotion. The room is simple, but the weight of her faith fills the space.