Explore Artworks

Butterfly, For Dell (1897)

Albert Bierstadt (American, 1830–1902)

Delicate wings unfurl in precise detail, each vein and iridescent scale rendered with scientific clarity. The butterfly perches mid-motion, its fragile form captured in watercolor’s translucent layers. A fleeting subject made permanent through meticulous observation.
A Female Figure In A Landscape

Sir Edward Coley Burne-Jones (English, 1833–1898)

A lone woman stands amid rolling hills, her flowing gown echoing the soft curves of the land. The scene holds a quiet tension—her distant gaze suggests a story untold, while the muted colors wrap the moment in hushed mystery.
American Motherhood (1922)

Charles Webster Hawthorne (American, 1872–1930)

A woman cradles her child, their faces bathed in soft light. The quiet strength in her gaze speaks of countless unspoken sacrifices. The child’s tiny hand rests against her shoulder—a fleeting moment of trust and tenderness, frozen in time.
Three books (1887)

Vincent van Gogh (Dutch, 1853–1890)

Three worn books lie stacked, their spines cracked and pages yellowed. Thick brushstrokes give weight to each volume, as if they’ve been read a hundred times. The colors—deep blues, muted greens—hint at stories waiting inside. No titles, just the quiet presence of well-loved books holding their secrets.
De uitlandsche kapellen voorkomende in de drie waereld-deelen, Asia, Africa en America pl45 (1779-1782)

Pieter Cramer (Dutch, 1721–1776)

Delicate wings unfurl across the page—tropical butterflies from Asia, Africa, and America, frozen mid-flight. Each engraving traces intricate patterns, a silent flutter of scales and veins preserved on paper. The specimens seem poised to take off, their exotic forms bridging continents through ink and precision.
Atlas państwa zwierzęcego Pl.67 (1905)

Kurt Lampert (German, unknown)

A meticulous engraving of the animal kingdom, each line precise as a scientist’s sketch. Creatures frozen in stark detail, their forms emerging from the page like specimens pinned for study. The work hums with the quiet intensity of observation, a silent catalog of fur, feather, and scale.
Flower Beds, Central Park (circa 1890)

William Merritt Chase (American, 1849–1916)

Sunlight dapples through the trees, catching the bright clusters of blooms along the path. The flower beds burst with color against the park’s green expanse, a quiet riot of petals where city meets nature. Strollers pause, drawn by the vivid contrast between cultivated beauty and wild growth.
Luise Eisner, spätere Fürstin Odescalchi (1926)

John Quincy Adams (Austrian, 1873–1933)

Luise Eisner gazes past the viewer, her poised elegance hinting at a world beyond the frame. The soft drape of her gown contrasts with the sharp intelligence in her eyes—a woman caught between who she was and the title she would inherit.
Wielki atlas do zoologii, botaniki i mineralogii Pl.062 (1887)

Gustav von Hayek (Austrian, 1899–1992)

Delicate veins branch across a leaf’s surface, precise as etched lines. Nearby, a beetle’s shell gleams with iridescent ridges, its form frozen mid-crawl. Minerals fracture into geometric shards. Each specimen sits isolated, yet together they hum with the quiet order of a cataloged world.
Béatrice (1897)

Odilon Redon (French, 1840–1916)

A woman’s face emerges from the shadows, her gaze distant yet piercing. Soft hues blur into darkness, as if she’s caught between dream and waking. The portrait lingers—not quite real, not entirely imagined.
Oriental With Jewelry (1891)

Paul De La Boulaye (French, 1874–1916)

A woman adorned with intricate jewelry gazes into the distance, her draped garments rich with texture. The opulence of her ornaments contrasts with the quiet intensity in her eyes, hinting at untold stories behind the Orientalist allure.
Mädchen mit weißem Tuch und Katze

Charles Chaplin (French, 1889–1977)

A girl clutches a white cloth, her gaze distant. A cat curls beside her, its tail flicking. The scene holds an unspoken tension—something fragile, about to unravel.
Stella (1900)

Frank Dicksee (English, 1853–1928)

A woman gazes into the distance, her dark hair cascading over a flowing white gown. The soft glow of candlelight catches the delicate lace at her sleeves, hinting at quiet longing. Her lips part slightly, as if pausing mid-breath—caught between thought and speech.
A Confab (1902-03)

John George Brown (American, 1831–1913)

Two street kids lean in, heads nearly touching, sharing a secret or a joke. Their worn clothes and scuffed shoes hint at hard lives, but their animated faces glow with mischief. The cobblestones around them fade into the background—this moment is all about the unspoken bond between them.
Promeneurs et artistes à l’exposition universelle de 1900. (1900)

Henri Bellery-Desfontaines (French, 1867–1909)

Crowds drift through the glowing pavilions of the Universal Exposition, their silhouettes sharp against electric lights. A painter pauses mid-sketch, distracted by the spectacle—iron latticework arches overhead while visitors dissolve into the haze of progress and gaslight. Paris hums with invention, its future unfolding in glass and steel.