Explore Artworks

Lady with an Ermine – Portrait of Cecilia Gallerani (ca.1473–1536) (1490)

Leonardo da Vinci (Italian, 1452-1519)

A young woman cradles a white ermine, its fur glowing against her dark dress. Her gaze drifts sideways, lips hinting at a secret. The animal’s alert posture mirrors her quiet intensity—a silent exchange between creature and keeper, frozen in time.
Gathering Flowers in a Devonshire Garden

John William Waterhouse (British, 1849-1917)

A woman kneels among blossoms, her hands brushing petals as sunlight filters through the leaves. The garden hums with color—pinks, whites, greens—as she gathers flowers into her skirt, lost in the quiet rhythm of picking. The air feels warm, alive with the scent of crushed stems and earth.
Flower of God

Sir Edward Coley Burne-Jones (English, 1833–1898)

An angel kneels in golden light, cradling a luminous blossom. Its petals glow like stained glass, radiating divine warmth. The figure’s wings tremble slightly, as if the flower’s weight transcends mere physical form. Every brushstroke hums with quiet reverence—this isn’t just a flower, but sacred light given shape.
Ornithologia methodice digesta Pl.120 (1767-1776)

Saverio Manetti (Italian, 1723–1784)

A meticulous engraving of a bird, its feathers rendered with precise lines, stands frozen mid-motion. The scientific detail transforms the creature into both specimen and art, inviting closer study of each delicate stroke.
Poet And Satyrs (C. 1890-1895)

Gustave Moreau (French, 1826–1898)

A poet sits among satyrs, their wild eyes gleaming. The air hums with unspoken verses and untamed laughter. Myth bleeds into reality where ink meets vine, and the boundaries between sacred and profane dissolve. Something ancient stirs in their shared silence—a pact, a temptation, a song waiting to be sung.
Children’s zoo (1929)

Tadeusz Makowski (Polish, 1882–1932)

Kids cluster around animal pens, their round faces bright with wonder. A goat noses a tiny hand. Wooden fences carve the scene into patches of motion—small bodies leaning in, animals peering back. The air hums with that particular childhood mix of laughter and concentration.
Hamlet And Ophelia (1873)

Hugues Merle (French, 1823–1881)

Hamlet grips Ophelia’s wrist, his gaze burning with accusation. She recoils, fingers clutching wilted flowers—a silent plea drowned in his fury. The air between them thickens with unspoken betrayal, a scene ripped straight from Shakespeare’s darkest verse. Love and madness collide in a single, devastating glance.
Une allée dans le Parc du Château de Versailles

Henri Martin (French, 1860–1943)

Dappled light filters through the trees lining the gravel path, casting shifting patterns on the ground. The alley stretches toward the distant château, its symmetry softened by loose brushstrokes that blur the boundary between garden and sky. A quiet moment in Versailles, where sunlight and shadow dance across the grand promenade.
At The Café

Édouard Manet (French, 1832–1883)

A woman sits alone at a café table, her untouched drink before her. The chatter around her blurs into streaks of color, the crowd both present and distant. Her gloved hand rests lightly on the marble, poised between engagement and retreat. The scene hums with unspoken stories.
Old town hall at the Wolnica square in Kazimierz, Kraków (circa 1862)

Aleksander Gryglewski (Polish, 1833–1879)

The worn stone facade of Kazimierz’s old town hall stands firm against time, its arched windows gazing over Wolnica Square. Shadows stretch across the cobblestones as muted sunlight catches the building’s weathered edges—a quiet witness to centuries of Kraków’s history.
In der Bucht von Neapel

Franz Richard Unterberger (Austrian, 1838–1902)

Sunlight glints off the bay’s gentle waves, casting a golden haze over Naples. Fishermen haul their nets ashore as distant cliffs frame the scene. The air hums with quiet industry, the water’s shimmer mirroring the sky’s soft glow. A moment suspended between labor and tranquility.
Interiør med læsende kvinde ved vinduet

Carl Holsøe (Danish, unknown)

A woman sits by the window, absorbed in her book. Sunlight spills across the floor, casting soft shadows on the quiet interior. The stillness of the room contrasts with the unseen world beyond the glass—a moment suspended between solitude and the faint promise of something outside.
Three girls gathering roses

Leontine von Littrow (Austrian, unknown)

Three girls bend among thorny stems, fingers brushing petals still damp with morning. Their skirts catch on brambles as laughter tangles with the scent of crushed roses. One holds a bloom to her cheek, its blush matching hers. The garden hums with stolen moments, ripe and fleeting as summer.
September Moonrise (1900)

Childe Hassam (American, 1859–1935)

A pale moon glows above golden autumn trees, its light spilling across the water’s surface. Brushstrokes blur the boundary between sky and reflection, leaving just the crisp chill of an evening settling into night. The scene hums with the quiet energy of changing seasons.
The Birth of the Virgin

Sebastiano Conca (Italian, 1680–1764)

Golden light spills across the room as women gather around the newborn Mary, their faces alight with quiet awe. Swirling fabrics and tender gestures frame the infant, hinting at the divine destiny awaiting her. The scene hums with quiet anticipation, a sacred moment wrapped in earthly warmth.