Figurative
Celebrating the human form and presence, our figurative collection invites you into intimate portrayals of character, mood, and narrative. These works transcend realism, offering timeless reflections on the body, identity, and the human condition.
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Nude, seen from behind
A contemplative study of the human form, blending light and shadow to reveal quiet depth and texture.
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-full.webp "In the Old House (1914) by Childe Hassam")
In the Old House (1914)
A sunlit, nostalgic glimpse into a rustic interior, where light and shadow dance across aged wood and forgotten corners.
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 (1873)-full.webp "L’agneau Nouveau-Né (The Newborn Lamb) (1873) by William Bouguereau")
L’agneau Nouveau-Né (The Newborn Lamb) (1873)
A tender moment between a child and a newborn lamb, rendered with exquisite realism and emotional depth.
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King Philip II of Spain (1545-1556)
Titian’s portrait of Philip II blends royal formality with subtle realism and presence.
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Flora (1517)
Titian’s ‘Flora’ from 1517 beautifully captures the goddess of spring in a graceful and colorful composition, symbolizing fertility and nature’s abundance.
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A Girl From Frascati
“A Girl from Frascati” is an oil painting by Jean Barbault, portraying a young woman in traditional attire. The artwork delicately captures her expression and posture against a simple background, emphasizing her calmness and grace. This piece reflects Barbault’s interest in Italian rural life and his exceptional skill in portraiture.
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The Love Letter (1880)
Depicts a woman reading a love letter, showcasing the delicate style of 19th-century German painting.
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April(The Green Gown)
Hassam portrays a springtime woman with daffodils, showcasing nature’s beauty.
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Pomona (1900)
Hassam depicts Roman goddess Pomona, symbolizing cultural nurturing and heritage.