Figurative Art Collection | Perfect for Wall Art, Prints - Page 16 of 93

Tea in the garden

Philipp Rumpf (German, 1821–1896)

Sunlight filters through the leaves, dappling the porcelain cup. A hand hovers near the saucer, mid-reach. The garden hums—bees, rustling skirts, the faint clink of silverware. Steam curls from the tea, carrying the scent of bergamot and cut grass. A pause before the first sip.
The Sonatina (1883)

John Collier (English, 1850–1934)

A young woman leans over the piano, fingers resting lightly on the keys. The sheet music lies open, but her gaze drifts away—lost in thought or memory. The room’s soft light catches the folds of her dress, the quiet pause before the first note breaks the silence.
A Vision of Fiammetta (1878)

Dante Gabriel Rossetti (English, 1828–1882)

Golden light spills over Fiammetta’s bowed head, her fingers lingering at the edge of a book. The rich red of her gown pools around her like spilled wine, while her distant gaze suggests a thought half-formed, a story left untold. The air hums with quiet longing.
The letter (ca.1880-90)

Edward Antoon Portielje (Belgian, unknown)

A woman sits absorbed in a letter, her face half-lit by the dim interior light. The paper in her hands holds secrets, joys, or sorrows—her stillness speaks volumes. The room around her fades into shadow, leaving only the quiet intensity of that moment suspended between sender and reader.
Ludvig Looström (1908)

Carl Larsson (Swedish, 1853–1919)

A young boy gazes intently, his crisp white collar contrasting with the warm tones of the background. His expression holds quiet curiosity, caught between childhood innocence and the first hints of maturity. The brushwork suggests movement, as if he might turn away any moment.
Miss Edith Bryant (circa 1931)

Elizabeth Kelly (New Zealander, unknown)

A woman gazes past the frame, her expression unreadable—neither smiling nor solemn. The soft light catches the folds of her dress, the curve of her cheek. There’s a quiet tension in her stillness, as if she’s waiting for something just beyond view.
Portrait Of Maria, Countess Von Dönhoff

Hans Makart (Austrian, 1840–1884)

Maria von Dönhoff’s gaze holds a quiet defiance, her opulent gown cascading in rich folds. The portrait breathes aristocratic poise, yet something flickers beneath the surface—a tension between grandeur and unspoken restraint. Her presence lingers, as if she might step out of the frame with a rustle of silk.
Femme à l’éventail (Portrait de Réjane) (1879)

Henri Gervex (French, 1852–1929)

A woman tilts her head slightly, fingers curled around a folded fan. The soft light catches the folds of her dress, hinting at movement just paused. There’s something unspoken in her gaze—neither coy nor indifferent, but quietly knowing. The fan rests, half-opened, as if waiting for the next gesture.
Breton Woman (c. 1899-1900)

Enrique Martínez Cubells (Spanish, 1874–1947)

A Breton woman stands solemnly, her weathered face framed by a crisp white cap. The heavy folds of her dark dress hint at labor, while her steady gaze holds quiet resilience. The light catches the texture of her apron, rough from years of work. There’s weight in her stillness.