Figurative Art Collection | Perfect for Wall Art, Prints - Page 15 of 93

Woman Reading

Jacques-Émile Blanche (French, 1861–1942)

A woman leans into the lamplight, absorbed in her book. The pages glow against the dim room, her stillness cutting through the soft brushstrokes. There’s a quiet intensity here—not just reading, but being pulled into another world while the paint itself seems to breathe around her.
Portrait By Gaslight (c. 1900)

Albert Lynch (Peruvian, 1851–1912)

A woman’s face emerges from the shadows, bathed in flickering gaslight. The glow softens her features, catching the delicate lace at her collar and the quiet intensity in her eyes. The darkness around her feels alive, pressing close, as if the light might vanish any moment.
Melancholy (1876)

Odilon Redon (French, 1840–1916)

A lone figure slumps in shadow, swallowed by darkness. Stark contrasts carve hollows beneath the eyes, the mouth—a silent scream etched in charcoal. Not sadness, but something heavier, older. The paper itself seems to exhale gloom.
Arcadian idyll

Ludwig von Hofmann (German, 1861–1945)

Golden light spills over rolling hills, where figures move in quiet harmony. A timeless scene unfolds—youths and shepherds woven into the landscape, their gestures fluid as the breeze. The air hums with unspoken poetry, a dream of pastoral serenity just beyond reach.
La Nanna (Sunny Hours)

Frederic Leighton (English, 1830–1896)

A mother cradles her sleeping child, sunlight dappling their quiet embrace. The folds of her dress pool around them like soft waves, sheltering the drowsy warmth between. Fingers curl against fabric, breaths slow—a private lullaby woven through golden afternoon light.
Dancing At Sunset (1905)

Otto Pilny (Swiss, 1866–1936)

Silhouettes twirl against a fiery sky, their movements blurring into the dying light. Bare feet press into warm earth as laughter mingles with the rustle of fabric. The horizon swallows the sun whole, but the dance refuses to end.
Children with Geese (1887)

Franz Xaver Gräßel (German, 1861–1948)

Two barefoot children pause in a sunlit field, their laughter silent as geese waddle close. One child reaches out, fingers brushing white feathers, while the other watches with wide eyes. The grass bends underfoot, alive with the quiet tension of trust between small hands and wary beaks.
Countess Alexander Nikolaevitch Lamsdorff (1859)

Franz Xaver Winterhalter (German, 1805–1873)

A young countess gazes past the viewer, her silk gown shimmering against dark fur. Pearls glint at her throat, catching the light like scattered stars. There’s a quiet defiance in her posture—aristocratic grace threaded with something unreadable. The lace at her wrists seems to tremble with unspoken words.
The Musicians (c. 1876 – c. 1877)

Henriëtte Ronner-Knip (Dutch, 1821–1909)

Two cats perch on a piano bench, paws hovering over the keys. A third leans in, ears twitching as if catching the first notes of an unseen melody. The room hums with silent anticipation—creatures poised between domestic comfort and the thrill of performance.