Figurative Art Collection | Perfect for Wall Art, Prints - Page 17 of 93

A Toast (1945)

Vincenzo Irolli (Italian, 1860–1949)

Glasses clink in warm lamplight, laughter caught mid-air. Hands reach across the table, breadcrumbs scattered like confetti. The wine stains lips red—a fleeting celebration frozen in thick brushstrokes. Someone’s about to speak; you lean in, but the moment hangs suspended, ripe with unspoken stories.
Romantic Novel (1894)

Santiago Rusiñol (Spanish, 1861–1931)

A woman leans over a book, her fingers tracing the words. The pages glow softly, casting light on her face—half in shadow, half in longing. Around her, the air hums with unspoken stories, the kind that linger between lines. She’s not just reading; she’s slipping into another world.
Romeo and Juliet (1884)

Frank Dicksee (English, 1853–1928)

Two lovers cling in a moonlit embrace, their faces pressed close as if trying to merge into one. The balcony’s stone feels cold beneath them, but their fingers knot together like roots—desperate, alive. Silk and velvet whisper against skin. Below, shadows stretch long, hinting at the dawn neither wants to face.
Portrait of Miss Dorothy Long (1703-1758) (1737)

John Vanderbank (English, 1694–1739)

Dorothy Long’s gaze holds steady, her lace collar framing quiet confidence. The soft glow on her face hints at a life just beyond the canvas—elegant, restrained, and utterly alive.
Portrait de Jeanne d’Aragon (1518)

Raphael (Italian, 1483-1520)

A noblewoman gazes serenely, her crimson sleeves rich against gold brocade. Pearls glint at her throat, fingers resting lightly on a book—a quiet assertion of intellect amid opulence. The delicate lace headdress frames her face, poised between youth and authority. Every fold whispers power.
The curious (1897)

Eugen von Blaas (Italian, 1843–1931)

A young woman leans forward, her dark eyes alight with intrigue. The tilt of her head, the slight part of her lips—she’s caught mid-thought, on the verge of a question. The lace at her collar trembles as if stirred by her quickening breath. Something has just seized her attention.
Trois petites filles au jardin, un matin d’été (circa 1903)

Henri Martin (French, 1860–1943)

Three girls in white dresses drift through sun-dappled garden paths, their blurred forms dissolving into the shimmering summer light. Loose brushstrokes weave blossoms and foliage into a haze of color, as if the air itself hums with warmth. Childhood hangs suspended in this fleeting, golden hour.
Sommarnöje (1886)

Anders Zorn (Swedish, unknown)

Sunlight dapples the water as a woman leans back in a rowboat, skirts pooling around her. The breeze carries laughter from the shore. A single oar trails lazily, breaking the glassy surface. Summer hangs thick in the air—warm, idle, ripe with the promise of long afternoons.
Le chat botte (1904)

A. Guillon (French, unknown)

A sly cat in oversized boots stands poised, tail curled with mischief. The fairy tale springs to life in bold strokes—whiskers twitch, leather creaks. One paw rests on a hilt, ready for adventure. No ordinary feline, this one’s got plans.