Figurative Art Collection | Perfect for Wall Art, Prints - Page 5 of 93

Portrait de Madame de Lorgeril (1902)

Henri Gervex (French, 1852–1929)

A woman in black lace gazes past the viewer, her gloved hand resting lightly on a chair. The soft glow of her pearl necklace contrasts with the dark fabric, hinting at restrained elegance. There’s a quiet tension in her posture—neither fully present nor entirely distant.
The Reader (1868)

Jean-Baptiste-Camille Corot (French, 1796–1875)

A woman sits absorbed in her book, sunlight softening the edges of the room around her. The quiet intensity of her focus pulls you in—you can almost hear the rustle of pages turning. Everything else fades; for now, there’s only the story and the reader, wrapped in that private world.
Gute Nachrichten (1890)

Max Volkhart (German, 1848–1924)

A woman leans forward, lips parted mid-whisper, clutching a letter. The folds of her dress catch the light as she shares urgent news—her companion’s face tenses, fingers frozen above the embroidery hoop. A single candle flickers between them, casting long shadows across the patterned rug.
The Butterfly (1866)

George Elgar Hicks (English, 1824–1914)

A delicate butterfly rests on a woman’s finger, its wings trembling. Her gaze lingers, caught between fascination and something deeper—perhaps longing. The moment feels fragile, as if the slightest breath could shatter it.
Admiring the porcelain (1885)

Édouard Frédéric Wilhelm Richter (French, 1844–1913)

A woman leans in, eyes tracing the delicate curves of a porcelain vase. Her fingers hover just above its surface, as if afraid to break the spell. The soft light catches the glaze, turning it luminous under her gaze.
In the Orchard (1891)

Edmund Charles Tarbell (American, 1862–1938)

Sunlight filters through the orchard leaves, dappling the women’s dresses as they move between the trees. Their quiet conversation blends with the rustle of branches, a fleeting harmony of color and shadow beneath the shifting canopy.
Alice Gamby En Buste (1890)

Berthe Morisot (French, 1841–1895)

A young woman gazes past the viewer, her expression soft yet distant. Loose brushstrokes blur the edges of her white dress, as if she might dissolve into the light. The portrait feels intimate yet fleeting—a quiet moment suspended in time.
Young woman reading at an open window

Ulisse Caputo (Italian, 1872–1948)

Sunlight spills through the open window, pooling on the pages of her book. She leans forward slightly, absorbed in the text, one hand resting against the sill. The breeze stirs the curtains beside her. Outside, the world hums—but here, in this quiet corner, time slows to the rhythm of turning pages.
Le Matin, dit aussi Femme au chien (1880)

Ferdinand Heilbuth (German, 1826–1889)

A woman in a flowing dress stands by a window, morning light spilling across the floor. Her small dog leans against her skirt, tail curled. The air feels still, heavy with the quiet of early hours—a private moment before the day begins.