Figurative Art Collection | Perfect for Wall Art, Prints - Page 35 of 93

The Daughters of Catulle Mendès (1888)

Pierre-Auguste Renoir (French, 1841–1919)

Three sisters in white dresses, their flushed cheeks and loose curls catching the light. One leans forward with quiet intensity while another gazes sideways, half-smiling. The youngest clutches her skirt, fingers barely brushing her sister’s sleeve—a fleeting closeness before they scatter like petals.
Soap Bubbles (ca. 1859)

Thomas Couture (French, 1815–1879)

A boy leans in, eyes wide, as a fragile soap bubble floats between his fingers. The shimmering sphere catches the light, its fleeting beauty mirrored in his rapt expression. Around him, other children watch, their faces alight with wonder at this tiny, transient world about to vanish.
Au Jardin des Hespérides (Garden of Hesperides) (1913)

George Barbier (French, 1882–1932)

Golden apples glow among twisting branches, guarded by nymphs draped in flowing silks. The air hums with myth—a paradise where time lingers, lush and forbidden. Every leaf seems to whisper secrets of the gods.
Beauty of the Tyrol (1880)

Franz von Defregger (Austrian, 1835–1921)

A young woman in traditional Tyrolean dress stands against a rugged alpine backdrop, her gaze steady. The folds of her skirt catch the light, echoing the textures of the landscape behind her. There’s quiet strength in her posture, an unspoken bond between people and place.
The convalescent

John Bostock (English, unknown)

A figure rests in dim light, wrapped in blankets, their face turned away. The room holds a quiet tension—recovery hangs in the air, fragile and uncertain. Shadows cling to the edges, as if waiting to see if strength returns or fades. The moment feels suspended between healing and relapse.
Tänzerin auf der Bühne (circa 1940)

Brynolf Wennerberg (Swedish, 1866–1950)

A lone dancer twists mid-air, limbs slicing through the stage lights. The brushstrokes crackle with movement—every line thrums with the tension between control and abandon. Not a performance, but the raw electricity of a body in motion, frozen at its most precarious moment.
Portrait of a Lady (La Bella) (1536-1538)

Titian (Italian, c. 1488-1576)

A woman in rich blue silk gazes past the viewer, her hand resting lightly on her fur-trimmed robe. Gold embroidery glints against deep fabric folds, framing her serene yet distant expression. The play of light on pearls and velvet draws the eye, hinting at untold stories behind her composed demeanor.
Study of a streetwalker for the painting “East” (1910)

Jan Ciągliński (Polish, 1858–1913)

A lone woman pauses under dim streetlights, her figure sketched with loose, urgent strokes. The shadows cling to her like a second skin, blurring the edges between her and the night. A fleeting glimpse of urban life, raw and unfinished.
Jeune femme dans l’intérieur

Georges d'Espagnat (French, 1870–1950)

A woman sits in a sunlit room, her posture relaxed yet poised. Warm light spills across the floor, catching the folds of her dress. The air feels still, intimate—like a quiet afternoon suspended in time. There’s something unspoken in her gaze, just beyond reach.