Figurative Art Collection | Perfect for Wall Art, Prints - Page 37 of 93

The other door (1917)

William McGregor Paxton (American, 1869–1941)

A dim interior, a door slightly ajar—light spills across the floor, hinting at what lies beyond. The space feels paused, waiting. Shadows cling to the edges, deepening the mystery of that half-open threshold.
At Breakfast (1898)

Laurits Andersen Ring (Danish, unknown)

A woman sits alone at the table, sunlight pooling around her untouched coffee. The bread lies half-sliced, the knife abandoned mid-task. Something in her stillness suggests this morning is different—not routine, but a pause heavy with unspoken weight. The room holds its breath.
La Liseuse

Ulisse Caputo (Italian, 1872–1948)

A woman sits absorbed in her book, the pages catching soft light. Her posture leans slightly forward, fingers resting on the open spread. The quiet intensity of her focus makes the room around her fade—just the text, her thoughts, and the stillness of reading.
Reverie (1890)

Robert Reid (American, 1862–1929)

A woman leans against a sunlit window, lost in thought. The soft brushstrokes blur the line between her daydream and the warm interior around her. Light spills across her dress, dissolving into delicate patterns of color. Her absent gaze holds a quiet mystery, suspended between reflection and reverie.
The Arabian Nights (1861)

Lionel Percy Smythe (English, 1839–1918)

A moonlit courtyard hums with intrigue—silken robes swirl as a storyteller leans in, his words weaving magic. The air thickens with jasmine and danger, every shadow hiding a secret. Here, the line between fable and reality blurs under the weight of whispered tales.
La collectionneuse au kimono vert (1881)

Jan Verhas (Belgian, unknown)

A woman in a green kimono stands poised, the fabric’s rich folds contrasting with her serene expression. The 19th-century setting hints at quiet luxury, her gaze suggesting a story left untold. The kimono’s vivid hue draws the eye, its elegance both foreign and familiar.
A Man Leaning on a Parapet (ca. 1881)

Georges Seurat (French, 1859–1891)

A lone figure slouches against the stone ledge, shoulders hunched against the city’s hum. The rigid geometry of the parapet frames his stillness—an ordinary moment made weighty by shadow and light. His hat brim casts a sharp line across his face, hiding his gaze from the bustling street below.
Two women in a grove (1886)

Eugeniusz Wrzeszcz (Polish, unknown)

Two women stand among slender trees, their dresses brushing against the undergrowth. Sunlight filters through leaves, dappling the ground at their feet. One leans slightly toward the other, as if sharing a secret the forest might overhear. The air feels still, heavy with unspoken words.
The Plowman (1907)

Harvey T. Dunn (American, unknown)

A lone farmer leans into his plow, carving dark furrows through the earth. The horses strain forward, their breath visible in the crisp air. Soil clings to the plowshare, turning as the blade bites deeper. This is the raw, unending labor that feeds nations.