Figurative Art Collection | Perfect for Wall Art, Prints - Page 39 of 93

Johannes Wolff (1861–1931), Dutch violinist (1897)

John Singer Sargent (American, 1856-1925)

The violinist’s fingers hover over the strings, poised mid-phrase. His gaze, intense yet distant, suggests a melody just beyond hearing. The brushstrokes blur the edges of his figure, as if the music itself might dissolve him into the air.
14 Juillet, fête forain (circa 1895-98)

Ferdinand du Puigaudeau (French, 1864–1930)

Glowing lanterns cast warm pools of light across the carnival crowd. Laughter and music swirl between the tents, their striped canvas fluttering in the night air. A child reaches for a spinning toy, face lit with wonder as fireworks burst overhead in fleeting blooms of color.
A Young Woman Playing An Aulos

Charles Amable Lenoir (French, 1860–1926)

A girl tilts her head, fingers poised on the aulos. The double pipes rest against her lips, ready to breathe life into ancient melodies. Her gaze drifts beyond the frame, lost in the coming notes. The moment hums with anticipation—music waiting to be born.
The seamstress, Sitges

Santiago Rusiñol (Spanish, 1861–1931)

A woman bends over her work, needle in hand, sunlight pooling around her. The fabric drapes softly across her lap, threads whispering against quiet walls. Outside, Sitges hums—but here, the rhythm is measured in stitches.
Not a Chinaman’s Chance (1894)

Charles Marion Russell (American, 1864–1926)

A lone cowboy stands frozen, rifle raised, as a grizzly rears on its hind legs. Dust swirls between them—tense silence before the clash. The West’s raw danger pulses in that suspended moment, where survival hangs by a thread.
Young Woman with a Pearl Necklace (from 1663 until 1665)

Johannes Vermeer (Dutch, 1632–1675)

A woman stands by the window, fingers brushing the pearls at her throat. Light spills across her face, catching the soft curve of her lips—not quite a smile, but something quieter, more private. The moment hangs, suspended, as if she’s listening to a voice just beyond the frame.
A Lady In Brown (1920)

Sir John Lavery (Irish, 1856–1941)

A woman in a brown dress gazes past the frame, her expression unreadable. Soft brushstrokes blur the background, pulling focus to the quiet intensity in her eyes. The folds of her dress catch the light, hinting at movement just paused. There’s a story here, half-told.
The Lute Player

Frederik Hendrik Kaemmerer (Dutch, 1839–1902)

A young musician leans into his lute, fingers poised above the strings. The warm glow of candlelight catches the rich fabrics around him—velvet, silk—as if the room itself holds its breath for the first note.
Fireside Candlelight (1903)

Adam Emory Albright (American, 1862–1957)

Soft candlelight flickers across the room, casting warm pools on the floor. A fire crackles nearby, its glow mingling with the dancing shadows. The scene feels intimate, like a quiet moment stolen from time—just the hush of flames and the gentle play of light on worn wooden boards.