Figurative Art Collection | Perfect for Wall Art, Prints - Page 41 of 93

Portrait Of A Lady

Alois Hans Schram (Austrian, 1864–1919)

A poised woman gazes past the frame, her expression unreadable. The soft folds of her dress and the delicate play of light suggest a quiet elegance, yet her eyes hold something distant—perhaps a thought she’ll never share. The portrait lingers between presence and mystery.
Wedded (1882)

Frederic Leighton (English, 1830–1896)

A bride stands solemnly in her white gown, fingers lightly touching her wedding band. The heavy folds of fabric and downcast eyes speak louder than any smile—this moment holds more gravity than joy. Marriage here feels less like celebration, more like a quiet surrender to duty.
The Love Letter (c. 1669 – c. 1670)

Johannes Vermeer (Dutch, 1632–1675)

A woman pauses, letter in hand, sunlight catching the folds of her dress. The room holds its breath—a quiet tension between anticipation and secrecy. Her gaze lingers just beyond the frame, leaving the message’s contents to imagination. The lute rests untouched; music can wait. This moment belongs to the page.
In the Garden (1910)

Włodzimierz Błocki (Polish, 1885–1920)

Dappled sunlight filters through leaves, casting soft shadows on the figures strolling among the flowers. The garden hums with quiet life—a fleeting moment of color and calm, where time seems to pause.
Man with children (1914-18)

Zygmunt Waliszewski (Polish, 1897–1936)

A father stands surrounded by children, their faces blurred yet alive with movement. The figures lean into each other, a tangle of limbs and shared warmth. Shadows pool around them, but the group glows—a fleeting, intimate knot of family before the moment unravels.
Les bulles de savon

Etienne Adolphe Piot (French, 1850–1910)

A young woman leans forward, lips parted as she blows a soap bubble. The fragile sphere catches the light, hovering between her delicate fingers and the soft curve of her cheek. Her gaze follows its ascent, half-amused, half-lost in thought—a fleeting moment suspended like the bubble itself.
Jeanne (1888)

William Bouguereau (French, 1825–1905)

A young woman gazes downward, her delicate features bathed in soft light. The folds of her white dress cascade gracefully, contrasting with the dark background. There’s a quiet intensity in her lowered eyes—something unspoken lingers in the stillness.
Petite gardeuse d’oies (1886)

Camille Pissarro (French, 1830–1903)

A girl stands barefoot in the grass, her small frame dwarfed by the geese she tends. Sunlight dapples the scene, softening the edges of her straw hat and the birds’ white feathers. The air hums with quiet movement—rustling wings, shifting feet, the unspoken bond between child and flock.
To leende piger (Two smiling girls) (1865)

Carl Bloch (Danish, 1834–1890)

Two girls share a quiet laugh, their faces lit with warmth. One leans in slightly, her smile playful, while the other meets her gaze with gentle amusement. The moment feels intimate, alive—a fleeting exchange of joy caught in soft light.