Figurative Art Collection | Perfect for Wall Art, Prints - Page 44 of 93

Le pêcheur à la ligne (1874)

Pierre-Auguste Renoir (French, 1841–1919)

A lone fisherman casts his line into the shimmering river, sunlight dancing on the water’s surface. Loose brushstrokes blur the boundary between man and nature, leaving only the quiet rhythm of waiting. The scene hums with the unspoken tension between stillness and potential movement.
Le balcon de Jaurès (circa 1915)

Henri Martin (French, 1860–1943)

A woman leans on the balcony railing, bathed in the soft glow of evening. The city stretches below, its rooftops dissolving into hazy blues and purples. Light catches the folds of her dress, blending with the dreamlike brushstrokes of the scene—quiet, intimate, suspended in twilight.
Mickiewicz as a Pilgrim (1894)

Jan Styka (Polish, 1858–1925)

A lone pilgrim stands against a vast landscape, his gaze distant yet intense. The folds of his cloak catch the wind, echoing the restless spirit of Polish literature. There’s weight in his stillness—a man caught between exile and longing, as if the horizon holds both memory and prophecy.
L’Énigme (1898)

Henri Bellery-Desfontaines (French, 1867–1909)

A veiled figure stands in shadow, her face obscured—an allegory of the unknowable. The muted tones deepen the mystery, while her draped form suggests secrets folded into fabric. What truth hides beneath those layers? The enigma lingers, refusing to unravel.
Study for Rokoko (1888)

Carl Larsson (Swedish, 1853–1919)

Delicate pastel hues swirl around figures in powdered wigs, their gestures frozen mid-conversation. The sketch captures Rococo’s playful elegance—whispered secrets and rustling silk suggested with quick, confident strokes. A world of aristocratic leisure emerges from these loose lines, both spontaneous and precise.
A young girl with bonnet reading by a window

Gaston La Touche (French, 1854–1913)

Sunlight spills across the pages as she leans into the book, her bonnet’s ribbon loose against her shoulder. The world outside blurs—just shapes and color—while the words hold her still.
Portrait Of Edith Hope Iselin (1930)

Philip Alexius de László (Hungarian, unknown)

A poised woman gazes past the frame, her dark dress contrasting with the soft glow of her skin. The hint of a smile lingers, suggesting a private thought left unspoken. Light catches the pearls at her neck, their luster mirroring the quiet confidence in her eyes.
Amarilla

Frederic Leighton (English, 1830–1896)

A woman in yellow leans against a sunlit wall, her draped gown pooling around her. The fabric catches the light like liquid gold, its folds whispering against stone. Her gaze drifts beyond the frame, lost in some private thought. The warmth of the scene lingers, suspended between stillness and motion.
Princesse Jean De Broglie, Depuis Honorable Mrs Daisy Fellowes

Jacques-Émile Blanche (French, 1861–1942)

A woman in white gazes past the viewer, her gloved hand resting lightly on a chair. The portrait hums with restrained elegance, capturing an aristocrat’s poised detachment. Every brushstroke whispers of privilege and unspoken rules, leaving us to wonder what lies beneath that cool, composed surface.