Figurative Art Collection | Perfect for Wall Art, Prints - Page 42 of 93

In Gedanken versunken

Wilhelm Amberg (German, 1822–1899)

A woman sits lost in thought, her gaze distant. The quiet intensity of her expression hints at unspoken reflections, pulling the viewer into her private world. The portrait captures that suspended moment when the mind wanders far beyond the room.
Portrait of the Artist’s Wife Ellan Edelfelt (1896)

Albert Edelfelt (Finnish, 1854–1905)

A woman sits in soft light, her hands resting lightly in her lap. The folds of her dark dress contrast with the warm glow on her face, half-turned as if caught mid-thought. There’s quiet intensity in her gaze—not quite a smile, but something knowing, private.
Étude pour ‘La Moisson’ (1919)

Henri Martin (French, 1860–1943)

Golden fields ripple under a heavy sun as workers bend in rhythm. Scythes flash, wheat falls in thick swaths. The air hums with heat and labor, earth and sweat mingling in the dust. A moment suspended—not idyllic, not harsh, simply the harvest’s relentless pulse.
Harrison Fisher girls Pl.9 (1914)

Harrison Fisher (American, 1875–1934)

A graceful woman in a flowing gown gazes past the viewer, her delicate features framed by soft curls. The illustration radiates quiet confidence, capturing early 20th-century ideals of femininity with effortless charm.
Portræt af Marie Krøyer (1890)

Peder Severin Krøyer (Danish, unknown)

A woman in a white dress stands by the sea, sunlight catching the folds of her skirt. Her gaze drifts beyond the frame, as if lost in thought or waiting for something—or someone—just out of sight. The air feels still, salt-tanged, heavy with unspoken words.
The Archer

Max Nonnenbruch (German, 1857–1922)

A lone archer draws his bow, poised between myth and reality. The tension in his stance speaks of unseen targets, of battles beyond the frame. Shadows cling to his form like whispers of forgotten legends.
Exposition De Monaco (1920)

Leonetto Cappiello (Italian, unknown)

A bold poster bursts with energy—vibrant colors and dynamic figures draw the eye, turning a simple advertisement into a visual spectacle. The composition thrums with movement, making even a static image feel alive. It’s not just promotion; it’s an invitation to excitement.
The Gathering

Adrien Moreau (French, 1843–1906)

A huddle of figures in rich 19th-century dress exchange urgent whispers, their faces half-lit by candlelight. Silk rustles against velvet as postures tense—some lean in, others recoil. The air thickens with unspoken alliances and betrayals, frozen in one charged moment before the storm breaks.
Mariana (1880)

Sir John Lavery (Irish, 1856–1941)

A woman stands by the window, sunlight pooling at her feet. The room hums with quiet warmth, her dress catching the glow. Outside, the world blurs—just shapes and color. She’s not waiting, not leaving. Simply there, a breath held between moments.