Figurative Art Collection | Perfect for Wall Art, Prints - Page 43 of 93

Portrait of a man

Giuseppe Barison (Italian, 1853–1931)

A man’s gaze holds steady, his expression unreadable yet weighted with quiet intensity. The brushwork lingers on the subtle shadows framing his face, hinting at untold stories beneath the surface.
Girl Reading

Stepan Bakalovich (Polish, unknown)

A girl sits absorbed in a book, the pages catching soft light. Her quiet focus fills the space, the world outside the story momentarily forgotten. The scene holds an unspoken intimacy—just her, the text, and the reader watching.
Pandora (ca. 1914)

Odilon Redon (French, 1840–1916)

A woman emerges from swirling darkness, her pale form cradling a glowing vessel. Shadows cling to her limbs like smoke, while the box in her hands pulses with eerie light—both gift and curse in one. The air hums with unspoken myth, that moment before revelation cracks the world open.
Untitled (Courtyard with Maidens)

Henri Victor Lesur (French, unknown)

Sunlight filters through the courtyard arches, casting lace-like shadows on the stone. Three maidens linger by the fountain, their whispered secrets lost in the splash of water. One adjusts her shawl, another gazes at the doves—each caught in a private reverie beneath the same golden light.
Printemps (before 1892)

Etienne Adolphe Piot (French, 1850–1910)

A young woman cradles a bouquet of fresh blooms, her gaze soft and distant. Delicate petals spill over her hands, their vibrant hues contrasting with the muted folds of her dress. Spring lingers in the air, caught between her fingers and the quiet turn of her thoughts.
Fragment de la maquette pour la décoration du théâtre des auteurs gais, exposition universelle (1900)

Henri Bellery-Desfontaines (French, 1867–1909)

A swirling theater facade emerges—gold leaf and crimson curves twisting into symbolic forms. The design pulses with hidden meaning, poised between decoration and allegory. Every flourish whispers of spectacle yet unseen.
Portrait of Helen Vincent, Viscountess D’Abernon (1904)

John Singer Sargent (American, 1856-1925)

Helen Vincent’s poised elegance fills the frame, her gaze both direct and elusive. The rich textures of her gown contrast with the soft glow of her skin, a study in aristocratic grace. There’s something unspoken in her expression—neither smile nor frown, but a quiet, knowing presence.
The sweetest little beggar that e’er asked for Alms (1891)

William Powell Frith (English, 1819–1909)

A ragged child, eyes wide with hunger, extends a tiny hand. The plea is silent but unmistakable—coins or crusts, anything to fill the hollow belly. The street’s grime clings to their clothes, yet there’s a fragile dignity in that outstretched palm. One can almost hear the whisper: “Please.”
Little Boy Blue (1880s)

Francis Donkin Bedford (English, 1864–1954)

A drowsy boy leans against a haystack, his horn slipping from limp fingers. Sheep graze undisturbed as the sun dips low, casting long shadows across the field. The scene hums with quiet neglect—a child’s duty forgotten in the warmth of afternoon slumber.