Figurative Art Collection | Perfect for Wall Art, Prints - Page 58 of 93

White Garden

Sir Edward Coley Burne-Jones (English, 1833–1898)

A pale garden unfolds, where myth lingers among the blossoms. Figures move with quiet purpose, their robes brushing against white flowers. The air hums with unspoken stories, woven into the petals and the soft turn of a wrist. Something ancient stirs beneath the delicate surface.
Lambs, Nantucket (1874)

Eastman Johnson (American, 1824–1906)

Two lambs stand in a sunlit field, their wool catching the breeze. The island’s quiet stretches behind them, land and sky meeting in soft blues and greens. There’s no hurry here—just the animals, the grass, and the light holding everything still.
L’Innocence (1893)

William Bouguereau (French, 1825–1905)

A young girl cradles a lamb, her bare feet brushing soft grass. Golden light spills over them, highlighting the lamb’s wool and the child’s delicate fingers. A wreath of wildflowers rests in her hair—simple, untamed. The scene hums with quiet purity, untouched by time or doubt.
Leisure Hours

Ulisse Caputo (Italian, 1872–1948)

Sunlight spills across the table, catching the edge of a half-finished drink. Laughter lingers in the air, mingling with the lazy hum of conversation. A hat rests carelessly on an empty chair—someone just stepped away, but the warmth of their presence remains. Life pauses here, unhurried.
Song of Spring (1880s)

Francis Donkin Bedford (English, 1864–1954)

A girl stands in a sunlit meadow, her lips parted in song. Wildflowers sway around her, their colors bright against the fresh green grass. The air hums with the quiet joy of spring, as if the earth itself is joining her melody.
Portrait of a lady (1881)

Karl Gussow (German, 1843–1907)

A woman gazes past the viewer, her expression unreadable. The light catches the folds of her dark dress, the subtle flush on her cheek. There’s a quiet tension in her stillness—something held back, something about to break.
Alice Gamby dans le salon (1890)

Berthe Morisot (French, 1841–1895)

A woman sits in a sunlit room, her posture relaxed yet poised. The brushstrokes blur the edges of her dress and the furnishings, as if the air itself hums with quiet energy. Light spills across the floor, dissolving details into warmth—a fleeting, intimate moment held in soft focus.
Summer (1914)

Frederick Carl Frieseke (American, 1874–1939)

Sunlight dapples through the leaves, casting patterns on her white dress. She sits in the garden, lost in thought, a book forgotten in her lap. The air hums with warmth, the colors soft yet vibrant—greens melting into pinks, blues fading into yellows. A quiet, fleeting moment of summer.
Portrait of a Young Woman (1891)

Albert Edelfelt (Finnish, 1854–1905)

A young woman gazes past the frame, her expression unreadable. Soft light brushes her cheek, catching the delicate lace at her collar. There’s a quiet tension in her stillness—something held back, something waiting. The brushwork lingers on the warmth of her skin against the muted background.