Figurative Art Collection | Perfect for Wall Art, Prints - Page 59 of 93

Dreams (ca. 1861)

Frederic William Burton (Irish, unknown)

A woman’s face, half-lit in shadow, drifts between sleep and waking. Her lips part slightly, as if whispering to unseen figures in the dark. The folds of her nightgown catch the faintest glow—something lingers just beyond the edge of vision.
Glaneuse (1894)

William Bouguereau (French, 1825–1905)

A woman bends in the golden field, her rough hands gathering stray stalks. The sun beats down on her bent back, her simple dress brushing the earth. This is the quiet labor that feeds nations, unseen but unbroken.
The First Spring (1890)

Julius Leblanc Stewart (American, 1855–1919)

A woman in a flowing white dress stands by a sunlit window, her hand resting lightly on the sill. Outside, the first green hints of spring blur into soft focus. The air feels fresh, alive—a quiet moment poised between winter’s end and the season’s full bloom.
Hidden Treasure (1901)

Adam Emory Albright (American, 1862–1957)

Two boys kneel by a stream, their hands deep in the water. One holds up a small, glinting object—his face alight with discovery. The sunlight dances on the ripples around them, turning the ordinary into something secret, something theirs.
Maud Muller (1882)

George Elgar Hicks (English, 1824–1914)

A young woman pauses mid-task, her sunlit face turned toward something unseen. The hayfork in her hand suggests labor, but her distant gaze hints at thoughts far beyond the field. The folds of her simple dress catch the light, blending rustic reality with quiet longing.
Little girl in front of a house (1931)

Tadeusz Makowski (Polish, 1882–1932)

A child stands solemn before a weathered house, her small figure framed by rough wooden planks. The muted colors and angular shapes lend the scene an air of quiet mystery—neither playful nor sad, but weighted with unspoken stories.
Fair Rosamund

John William Waterhouse (British, 1849-1917)

Rosamund’s delicate fingers hover over the golden thread, her gaze distant. The labyrinth’s walls loom behind her—silent, foreboding. A single misstep, and the queen’s wrath will find her. The tapestry in her lap remains unfinished, its pattern as tangled as her fate.
The House Maid (1910)

William McGregor Paxton (American, 1869–1941)

A young maid pauses mid-task, sunlight catching the folds of her apron. The quiet rhythm of domestic life holds her in a moment of stillness, the weight of her unseen labor lingering in the air. The room hums with unspoken stories.
Interior with the Chimera Playing the Guitar (1908)

Jacek Malczewski (Polish, 1854–1929)

A chimera lounges in shadowed lamplight, plucking guitar strings with clawed fingers. The creature’s mismatched eyes gleam against the dim interior, half-smiling at some private melody. Wooden floorboards creak under its coiled tail. No human ears hear this music—only the walls, the furniture, the gathering dark.