Figurative Art Collection | Perfect for Wall Art, Prints - Page 63 of 93

Portrait of An Elegant Lady (1901)

Jean-Joseph-Benjamin Constant (French, 1845–1902)

A woman gazes past the viewer, her dark eyes holding quiet confidence. The rich folds of her gown cascade in deep crimson, contrasting with the delicate lace at her throat. There’s an unspoken grace in her posture—neither stiff nor casual, but effortlessly poised.
Reading in the park

Eugène Isabey (French, 1803–1886)

A woman sits absorbed in her book, sunlight dappling the pages through the trees. The park hums softly around her—rustling leaves, distant chatter—but she’s lost in another world, the quiet curve of her spine mirroring the relaxed bend of the branches overhead.
Abendläuten

Wilhelm Amberg (German, 1822–1899)

Evening bells echo across the village square as figures pause mid-step, heads turning toward the sound. A hush settles over the cobblestones, interrupting the day’s rhythm.
Windy Day, Place De La Concorde (c. 1890)

Jean Béraud (French, 1849–1935)

A gust sweeps across the plaza, lifting skirts and hats. Cobblestones gleam under shifting light as figures lean into the wind, their postures tense yet graceful. The city pulses with movement—carriages rattle past, umbrellas strain against the breeze. Paris feels alive in this fleeting, breathless moment.
The Loving Cup

Dante Gabriel Rossetti (English, 1828–1882)

A golden cup passes between lovers’ hands, its surface catching the light like whispered promises. Their fingers barely touch, yet the air hums with unspoken devotion. Crimson fabric pools around them, rich as the wine they refuse to drink—some intoxications need no vessel.
The veil

William Powell Frith (English, 1819–1909)

A woman lifts her veil, her face half-hidden in shadow. The gesture feels intimate yet charged—a fleeting moment where private emotion brushes against public expectation. Victorian society’s unspoken rules linger in the air, unbroken but strained. What lies beneath the lace remains just out of reach.
Madame R. (ca. 1912)

Alice Pike Barney (American, 1857–1931)

A woman gazes past the viewer, her face softly lit against a dark background. Loose brushstrokes suggest the folds of her dress, while her poised expression hints at quiet confidence. The portrait balances intimacy with mystery, leaving her thoughts just out of reach.
Impéria (ca. 1899)

Alfred-Pierre Agache (French, 1843–1915)

A woman draped in flowing robes stands with solemn grace, her gaze distant yet commanding. The air hums with unspoken meaning, her presence both regal and enigmatic. Shadows cling to the folds of her garments, hinting at mysteries woven into the fabric of the scene.
Pontus Fürstenberg (1898)

Anders Zorn (Swedish, unknown)

A man leans forward, his sharp gaze and confident posture framed by a dark coat. The brushstrokes capture his quiet authority, the light catching his face with striking clarity. There’s an unspoken intensity in the way he holds himself—like a conversation paused mid-sentence.