Figurative Art Collection | Perfect for Wall Art, Prints - Page 64 of 93

Frühling (1900)

Franz von Stuck (German, 1863–1928)

A nude woman emerges from shadowed foliage, her pale skin glowing against the dark leaves. A snake coils around her wrist like a living bracelet—both threat and adornment. Spring arrives not with blossoms, but with this unsettling union of flesh and serpent, beauty and danger intertwined.
Sunlight (1909)

Frank Weston Benson (American, 1862–1951)

Golden light spills across the figures, dappling skin and fabric with warmth. Loose brushstrokes blur the line between sunlight and shadow, as if the air itself shimmers with summer. The scene hums with quiet energy—a fleeting moment caught between movement and stillness.
Fisherman (1911)

Leon Wyczółkowski (Polish, 1852–1936)

A lone fisherman stands against the wind, his weathered hands gripping the net. The water churns dark beneath him, the sky heavy with unseen storms. Every line in his posture speaks of patience, of battles fought with the sea. This is no idyllic scene—it’s raw, alive, salt-stung.
Gutach Woman in a Meadow (1900)

Franz Xaver Gräßel (German, 1861–1948)

A woman stands in tall grass, sunlight dappling her dress. The brushstrokes blur wildflowers into a haze of color around her. She seems caught between movement and stillness, as if pausing mid-step to listen. The meadow hums with unseen life.
La Carmencita (1890)

John Singer Sargent (American, 1856-1925)

A woman in a black dress holds a fan, her stance poised yet alive. The fabric swirls around her, dark and fluid, while her gaze meets the viewer with quiet confidence. The fan, half-opened, hints at motion frozen in time—a breath before the next graceful movement.
Spanish Dancer (Tango) (1907)

Oscar Parviainen (Finnish, unknown)

A swirling skirt cuts through the air, sharp as a blade. The dancer’s body twists mid-step, caught between passion and precision. Every fold of fabric, every taut muscle speaks the language of the tango—untamed, urgent, alive.
Tapisserie ayant appartenu au chevalier Bayard (1838)

Achille Jubinal (French, unknown)

A knight’s tapestry, rich with threads of valor—Bayard’s legacy woven into fabric. Scenes of battle and chivalry unfold, each stitch a silent echo of history. The past lingers in its faded hues, waiting to be unraveled.
Elizabeth,Countess of Effingham (c. 1797)

Benjamin West (American, unknown)

Elizabeth, Countess of Effingham gazes past the viewer, her ermine-trimmed robe cascading in rich folds. The pale glow of pearls at her throat contrasts with the dark, severe elegance of her attire—a noblewoman caught between regal poise and private contemplation.
A Fairy (Kersti In The Meadow) (1899)

Carl Larsson (Swedish, 1853–1919)

A girl in a white dress stands barefoot in the meadow, sunlight dappling through the trees. She holds a flower, half-turned as if caught between worlds—part child, part something wilder. The grass brushes her ankles, and for a moment, the air hums with the possibility of wings.