Impressionism Art Collection | Perfect for Wall Art, Prints - Page 13 of 16

Jeanne (Spring) (1881)

Édouard Manet (French, 1832–1883)

A young woman in a pale dress stands against lush greenery, her parasol tilted just so. The play of light on fabric and leaves feels fleeting, like a breath held between seasons. Her gaze lingers somewhere beyond the frame, hinting at thoughts left unspoken.
Le chien ‘Donki’ (1876)

Édouard Manet (French, 1832–1883)

A small black dog pauses mid-step, ears perked. The loose brushstrokes suggest movement—perhaps it just heard its name called. No background distracts from the alert posture, the dark fur catching light in quick dabs. A pet caught between stillness and action.
Étude pour le Cercle de l’île de Puteaux (1907)

Henri Gervex (French, 1852–1929)

A loose sketch of figures gathered in a circle, bathed in dappled light. Quick brushstrokes suggest movement, laughter hanging in the air. The island’s edge blurs into the river, leaving just the energy of the moment.
Study of Flesh Color and Gold (1888)

William Merritt Chase (American, 1849–1916)

Warm gold glows against soft skin, the brushstrokes loose yet deliberate. Light dances across the surface, blurring the line between flesh and gilded background. A quiet tension lingers—luxurious yet intimate, opulent yet fleeting.
Le Quai aux fleurs. 4ème arrondissement (1890-1900)

Elie Anatole Pavil (French, unknown)

Sunlight glints off the Seine, softening the stone quay. Flower stalls burst with color against the gray cobbles—crimson, gold, violet—their petals trembling in the river breeze. Paris hums beyond the canvas, just out of sight.
Alice Gamby dans le salon (1890)

Berthe Morisot (French, 1841–1895)

A woman sits in a sunlit room, her posture relaxed yet poised. The brushstrokes blur the edges of her dress and the furnishings, as if the air itself hums with quiet energy. Light spills across the floor, dissolving details into warmth—a fleeting, intimate moment held in soft focus.
Summer (1914)

Frederick Carl Frieseke (American, 1874–1939)

Sunlight dapples through the leaves, casting patterns on her white dress. She sits in the garden, lost in thought, a book forgotten in her lap. The air hums with warmth, the colors soft yet vibrant—greens melting into pinks, blues fading into yellows. A quiet, fleeting moment of summer.
View from the Artist’s Window, Grove Street (ca. 1900)

Robert Frederick Blum (American, 1857–1903)

Sunlight slants across brick walls, softening the sharp edges of rooftops. A glimpse through the window frames laundry fluttering between buildings—ordinary life caught in quiet harmony. The city breathes beyond the pane, intimate yet distant, bathed in muted afternoon tones.
Jeune femme assise (circa 1905)

Pierre-Auguste Renoir (French, 1841–1919)

A woman lounges in soft light, her dress pooling around her like melted butter. Brushstrokes blur the line between flesh and fabric—warm, alive, dissolving into the air around her. The chair barely contains her ease; she seems moments away from sighing or stretching.