Impressionism Art Collection | Perfect for Wall Art, Prints - Page 14 of 16

At The Café

Édouard Manet (French, 1832–1883)

A woman sits alone at a café table, her untouched drink before her. The chatter around her blurs into streaks of color, the crowd both present and distant. Her gloved hand rests lightly on the marble, poised between engagement and retreat. The scene hums with unspoken stories.
September Moonrise (1900)

Childe Hassam (American, 1859–1935)

A pale moon glows above golden autumn trees, its light spilling across the water’s surface. Brushstrokes blur the boundary between sky and reflection, leaving just the crisp chill of an evening settling into night. The scene hums with the quiet energy of changing seasons.
Zwei Mädchen im Garten (1892)

Fritz von Uhde (German, 1848–1911)

Two girls stand in dappled sunlight, their white dresses glowing against the garden’s green. One leans in, whispering a secret, while the other listens, half-smiling. The air hums with warmth and childhood mischief.
Self Portrait (1896)

Camille Pissarro (French, 1830–1903)

A bearded face emerges from loose brushstrokes, eyes steady beneath a hat’s shadow. Warm tones blend into the background, dissolving edges between figure and air. The gaze holds quiet intensity, neither confronting nor retreating—just present.
Landschaft, Frau mit Kinderwagen (1870)

Olga Wisinger-Florian (Austrian, 1844–1926)

A woman pushes a baby carriage along a sun-dappled path, the light filtering through leaves overhead. The scene hums with quiet movement—swaying branches, shifting shadows, the gentle roll of wheels on dirt. It’s an ordinary moment, yet alive with the soft pulse of afternoon warmth.
Simplon – Mrs Barnard and her Daughter Dorothy (1905-1915)

John Singer Sargent (American, 1856-1925)

A mother and daughter stand in quiet intimacy, their figures softly blurred yet alive with movement. The child leans slightly into her mother’s side, a fleeting gesture of trust. Light dances across their dresses, dissolving detail into warmth—a moment suspended between stillness and motion.
The Rue Mosnier with Flags (1878)

Édouard Manet (French, 1832–1883)

Flags ripple above a sunlit Paris street, their bright stripes cutting through the haze. Cobblestones gleam after rain as figures move past shuttered buildings. The city hums with quiet energy—a fleeting glimpse of everyday life beneath fluttering banners.
The Coming of Night (1897)

Wilfrid Gabriel de Glehn (English, 1870–1951)

Dusk settles over the trees, softening their edges into hazy silhouettes. The last light lingers, brushing the landscape with muted gold before surrendering to the deepening blue. A quiet hush falls—nature holding its breath as day slips away.
Windy Day, Place De La Concorde (c. 1890)

Jean Béraud (French, 1849–1935)

A gust sweeps across the plaza, lifting skirts and hats. Cobblestones gleam under shifting light as figures lean into the wind, their postures tense yet graceful. The city pulses with movement—carriages rattle past, umbrellas strain against the breeze. Paris feels alive in this fleeting, breathless moment.