Landscape Art Collection | Perfect for Wall Art, Prints - Page 3 of 55

Small pear tree in blossom (1888)

Vincent van Gogh (Dutch, 1853–1890)

Delicate white blossoms burst from twisted branches, their petals trembling against a sky of restless brushstrokes. The pear tree stands alone, its fleeting spring glory painted with thick, urgent daubs of color. Even the earth seems to pulse with life beneath it.
On The Beach

Charles Atamian (French, 1872–1947)

Waves lick the shore, dissolving into foam. Sunlight dances on wet sand, blurring the line between sea and land. A breeze carries salt and warmth. The scene hums with lazy energy—a summer afternoon suspended in brushstrokes.
Le Canal Du Loing À Saint-Mammès (1885)

Alfred Sisley (French, 1839–1899)

Sunlight dances on the canal’s ripples, softening the edges of moored boats. Trees lean lazily over the water, their reflections blurring into the current. A quiet stretch of France, alive with shifting colors—no grand drama, just the river’s gentle rhythm and the play of light on an ordinary afternoon.
Schöne Aussicht

Robert Voelcker (German, unknown)

A German landscape unfolds—rolling hills under a vast sky, the light shifting between clouds. The view stretches beyond the frame, inviting you to step into its quiet expanse. No grand drama, just earth and air in perfect balance.
Landscape With Red Roofs (1943)

Peter Alexandrovitch Nilouss (Russian, unknown)

A patchwork of red roofs sprawls across the rolling hills, their warm tones stark against the muted countryside. The land stretches quietly beneath a wide sky, dotted with simple homes that seem to pulse with life. Something hums beneath the surface—ordinary, yet charged with quiet energy.
A mountain scene, Val d’Aosta

Joseph Mallord William Turner (English, 1775–1851)

Sunlight fractures over jagged peaks, spilling gold into the valley below. The mountains loom, their shadows swallowing the quiet slopes. A river carves through the land, a silver thread in the fading light. The air hums with the raw, untamed energy of earth meeting sky.
In the roads, Evening (1867)

Ivan Konstantinovich Aivazovsky (Russian, 1817–1900)

Waves roll gently under a fading sky, their crests catching the last amber light. Shadows stretch across the water as dusk settles over the sea, blurring the line between horizon and shore. A quiet moment lingers—neither day nor night, just the hush of twilight on restless waters.
A Garden in September (1889-1899)

Mary Hiester Reid (Canadian, unknown)

Late summer light filters through the garden, softening the edges of petals and leaves. Warm yellows blend with fading greens, a quiet celebration of September’s slow turn. The air feels thick with color, as if the flowers themselves hold the last breath of sunlight before autumn arrives.
The River Bank or Geese (1897)

Alfred Sisley (French, 1839–1899)

Sunlight glints on rippling water as geese glide past. Loose brushstrokes blur the riverbank’s greenery into the sky’s pale wash—movement and stillness tangled together. The birds’ quiet passage lingers like a breath held too long.