Landscape Art Collection | Perfect for Wall Art, Prints - Page 5 of 55

Winter In Liguria

Henry Herbert La Thangue (English, 1859–1929)

Bare branches claw at a pale Ligurian sky. The earth lies dormant under a thin veil of frost, waiting. A single path cuts through the stillness, its dirt packed hard by winter’s grip. The air smells of cold soil and distant woodsmoke. Nothing moves. Nothing needs to.
Le Pont de Moret (1888)

Alfred Sisley (French, 1839–1899)

Sunlight dances on the river’s surface, softening the stone bridge’s arches. Loose brushstrokes blur the line between water and sky, leaving just enough detail to trace the quiet flow beneath. A moment suspended—not quite still, not quite moving—where the air hums with the warmth of a French afternoon.
The Howe In Spring

Charles Conder (English, 1868–1909)

Sunlight dapples the rolling hills, fresh greens bleeding into soft yellows. A breeze stirs the wildflowers—spring unfurls across the English countryside like a sigh. The land hums with quiet life, every brushstroke alive with the season’s first warmth.
Afternoon respite

Mabel May Woodward (American, 1877–1945)

Sunlight filters through the trees, dappling the grass where a lone figure rests. Shadows stretch long in the late day, blending with lazy brushstrokes that suggest a breeze rustling leaves. The scene hums with quiet warmth, inviting you to linger in its golden stillness.
Norman landscape (Breuilpont) (1927)

Tadeusz Makowski (Polish, 1882–1932)

A sunlit path winds through the Norman countryside, past thatched cottages with crooked chimneys. The air hums with quiet labor—fields tended, laundry hung out to dry. Every brushstroke holds the weight of simple things done well, the rhythm of rural life undisturbed by time.
Venice, a view of St Mark’s Square

Marco Grubacs (Austrian, unknown)

Sunlight glints off the canals, casting rippling reflections on St. Mark’s Square. The basilica’s domes rise against a sky streaked with soft clouds, while gondolas bob gently near the waterfront. Venice hums with life, its grandeur and bustle frozen in a single, luminous moment.
Meadow Flowers (Golden Rod and Wild Aster)

John Henry Twachtman (American, 1853–1902)

Golden rod and wild aster sway in the breeze, their delicate stems tangled in a sunlit meadow. Soft brushstrokes blur the line between flowers and grass, as if the whole field might dissolve into light. The air hums with warmth, alive with the quiet rustle of petals against green.
Corner of a House (c. 1930s)

Henri Martin (French, 1860–1943)

Sunlight slants across weathered stone, softening the edges where wall meets roof. A quiet patch of French countryside holds its breath—just a corner, really, but alive with dappled shadows and the weight of midday heat. The house seems to exhale color into the still air.
Woodland Scene in Autumn (Hudson, New York or Maine) (1860–70)

Frederic Edwin Church (American, 1826–1900)

Golden light filters through crimson leaves, casting dappled shadows on the forest floor. A crisp breeze stirs the branches, sending a shower of ochre and scarlet swirling downward. The air smells of damp earth and decaying foliage—a fleeting moment of autumn’s fiery brilliance before winter’s hush.