Landscape

From serene countrysides to dramatic seascapes, our landscape collection captures nature’s changing moods in brushstroke and light. These works are not just views, but windows into atmosphere, memory, and the sublime.

Snow at Louveciennes (1874)

Alfred Sisley (French, 1839–1899)

A serene village road dusted with snow, where soft light and bare trees evoke the quiet beauty of winter.
The Artist’s Garden in Argenteuil (A Corner of the Garden with Dahlias) (1873)

Claude Monet (French, 1840–1926)

A lively garden scene ablaze with dahlias, where light and color blend in Monet’s signature Impressionist style.
Peupliers au bord de l’Epte, automne (1891)

Claude Monet (French, 1840–1926)

A vibrant autumn scene where poplars and reflections merge in a haze of golden light and watery blues.
Avenue of Poplars in Autumn (1884)

Vincent van Gogh (Dutch, 1853–1890)

A vibrant autumn path lined with fiery poplars, where every brushstroke thrums with restless energy.
Antibes, Le Fort (1888)

Claude Monet (French, 1840–1926)

A sunlit Mediterranean scene where light dances on water and ancient stone, blending structure with the fleeting beauty of nature.
Church at Old Lyme, Connecticut (1905)

Childe Hassam (American, 1859–1935)

A sunlit New England church, rendered with vibrant brushwork, embodies quiet harmony between architecture and nature.
Three Riders at the Sea (1882)

Jean-Maxime Claude (French, 1968–)

A dynamic scene of riders galloping along the shore, their figures blurred against a misty sea, evoking both movement and mystery.
Hark! The Lark (1882)

Winslow Homer (American, 1836–1910)

A solitary figure pauses in a sunlit field, captivated by the song of a lark overhead.
On the Shores of Loing (1896)

Alfred Sisley (French, 1839–1899)

A tranquil riverside scene where light and water merge in quiet harmony, inviting quiet reflection.