Landscape Art Collection | Perfect for Wall Art, Prints - Page 6 of 55

The selector’s hut (Whelan on the log)

Arthur Streeton (Australian, unknown)

Sunlight dapples the rough bark of a fallen log, its weathered surface warm against the cool shadows. A simple hut stands nearby, its tin roof catching the light. The air hums with quiet heat, the stillness broken only by the rustle of leaves in the dry Australian breeze.
Les Vieux Prunier (circa 1940)

Henri Martin (French, 1860–1943)

Gnarled plum branches twist against a soft sky, their blossoms trembling with light. The garden hums with quiet energy—each brushstroke alive, flickering between shadow and sun. Time slows here, where the old tree stands rooted in dappled color.
La Giudecca, Venice (1896)

Karl Kaufmann (Austrian, 1843–1905)

Sunlight glints off the canal, casting rippling reflections on weathered brick facades. A lone gondola drifts past the quiet docks of Giudecca, its wake disturbing the still water. The island’s sleepy charm lingers in the warm hues of fading afternoon light. Venice breathes softly here, away from the crowds.
The Olive Trees (1889)

Vincent van Gogh (Dutch, 1853–1890)

Swirling olive trees twist under a restless sky, their gnarled branches alive with thick, rhythmic brushstrokes. The earth pulses with energy, greens and yellows clashing like wind through leaves. Even the shadows seem to vibrate, as if the whole scene might shudder into motion any second.
Blossoms (1927)

William Henry Holmes (American, 1846–1933)

Pink petals unfurl against a wash of green, delicate stems bending under their own weight. The flowers seem to pulse with life, each brushstroke suggesting movement—a breeze just passed through, or one about to arrive.
St. Maria auf dem Hohenrechberg bei Schwäbisch Gmünd (1882)

Victor Paul Mohn (German, 1842–1911)

A lone church crowns the hill, its spire piercing the mist. Below, the German countryside stretches in muted greens and golds, bathed in soft, hazy light. The scene feels suspended between earth and sky—quiet, timeless, yet alive with the whisper of wind through ancient stones.
Meadow with Flowers (1904)

Franz Xaver Gräßel (German, 1861–1948)

A burst of wildflowers spills across the meadow, their colors flickering like scattered sunlight. Loose brushstrokes suggest petals trembling in a breeze you can almost feel—nature caught mid-breath. The field hums with unseen life beneath that vast, open sky.
Shinnecock Hills (ca. 1895)

William Merritt Chase (American, 1849–1916)

Golden light spills over rolling dunes, where wild grasses sway in the salt breeze. A lone figure pauses near the crest, surveying the untamed greensward stretching toward the sea. The air hums with summer’s warmth, the land caught between wilderness and leisure.
Landscape

George Inness (American, 1825–1894)

A misty field stretches toward distant hills, bathed in soft golden light. Trees sway gently, their shadows merging with the earth. The air feels thick with quiet—not empty, but alive, as if the land itself is breathing. Something lingers just beyond sight, pulling you deeper into the scene.