Landscape Art Collection | Perfect for Wall Art, Prints - Page 8 of 55

Les Toits, Composition (1936)

Henri Le Sidaner (French, 1862–1939)

Soft light spills over the rooftops, turning the evening into a quiet mosaic of warm hues. Shadows stretch lazily across the tiles, as if the whole scene might dissolve into twilight at any moment.
Two Cows in a Pasture

Harry Ives Thompson (American, 1840–1906)

Two cows stand in a sunlit pasture, their shadows stretching across the grass. One lifts its head, ears twitching at some distant sound. The air smells of earth and warm hide. A quiet moment, ordinary yet alive—just cows being cows, framed by light and open space.
Autumn Landscape (1929)

Konstantin Ivanovich Gorbatov (Russian, 1876–1945)

Golden leaves cling to twisted branches above a dirt road winding through the Russian countryside. The air smells of damp earth and woodsmoke. A lone figure walks toward a cluster of wooden houses, their shadow stretching long in the late afternoon light. Winter isn’t far off.
In the Poppy Field, Auvers-sur-Oise

Charles Sprague Pearce (American, 1851–1914)

Poppies sway in a sunlit field near Auvers-sur-Oise, their red petals brushing against wild grasses. The breeze carries the scent of earth and blooms, blurring the line between meadow and sky. A fleeting warmth lingers in the air, as if summer itself could be held in one glance.
Jardin et poulailler chez Octave Mirbeau, Les Damps (1892)

Camille Pissarro (French, 1830–1903)

Sunlight dapples the garden path, weaving through leaves to settle on the chicken coop. Brushstrokes blur the line between earth and sky, turning a quiet corner of the countryside into something alive. The scene hums with ordinary magic—feathers, foliage, and the warm hush of midday.
Palazzo Donn’Anna in Naples

Eduardo Dalbono (Italian, 1841–1915)

Waves crash against the weathered stone of Palazzo Donn’Anna, its arches and balconies jutting defiantly over the Naples coastline. The sea’s restless energy contrasts with the palace’s fading grandeur, a silent witness to centuries of salt-laden winds and shifting tides.
Altaussee

Tina Blau (Austrian, 1845–1916)

Sunlight dances on the lake’s surface, rippling between shadows of the Austrian hills. Loose brushstrokes blur the line between water and sky, as if the landscape itself is breathing. A quiet energy hums beneath the stillness—nature caught mid-murmur.
Landscape of Glacier Joseph Henry (1905)

Joseph Henry Sharp (American, 1859–1953)

The glacier looms, a jagged wall of ice under a heavy sky. Cold light glints off its fractured edges, shadows pooling in deep crevices. The air feels still, thick with the weight of ancient frozen time. Something hums beneath the silence—raw, untamed, waiting.
Bauernhaus in Buchberg (Oberösterreichisches Bauernhaus) (1911)

Gustav Klimt (Austrian, 1862–1918)

A weathered farmhouse stands against the Austrian countryside, its wooden beams and sloping roof softened by time. Golden light spills across the scene, blurring the line between reality and dream. The land feels alive, humming with quiet energy beneath the structure’s sturdy presence.