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Le Sommeil (1864)-full by William Bouguereau

Le Sommeil (1864)

William Bouguereau (French, 1825–1905)

A tender depiction of two sleeping children, radiating innocence and quiet intimacy through masterful light and texture.

Latest Artworks

  • Isa Tyde, La belle Irlandaise (circa 1890)

    Isa Tyde, La belle Irlandaise (circa 1890)

    Jean-Louis Forain (French, 1852–1931)

    A young Irish woman gazes past the frame, her expression caught between defiance and melancholy. The loose brushstrokes soften her features, yet her piercing eyes hold steady. A hint of green at her collar whispers of homeland.

  • Girl in Blue Arranging Flowers (1915)

    Girl in Blue Arranging Flowers (1915)

    Frederick Carl Frieseke (American, 1874–1939)

    A woman in a blue dress leans over a table, her hands gently arranging a burst of blossoms. Sunlight spills across the scene, softening the colors—her dress, the petals, the quiet corner of the room. It’s an ordinary moment, yet alive with quiet attention.

  • Abbildungen zu Oken’s Allgemeiner Naturgeschichte für alle Stände Pl.032 (1841)

    Abbildungen zu Oken’s Allgemeiner Naturgeschichte für alle Stände Pl.032 (1841)

    Lorenz Oken (German, unknown)

    Delicate veins branch across translucent leaves, each curve precise as a surgeon’s incision. The engraving freezes fern fronds mid-unfurl, their edges sharp enough to draw blood. Shadows pool beneath ribbed stems, turning scientific illustration into something alive, breathing—a pressed specimen suddenly stirring under glass.

  • A synopsis of the birds of Australia, and the adjacent Islands Pl.65 (1837-1838)

    A synopsis of the birds of Australia, and the adjacent Islands Pl.65 (1837-1838)

    Elizabeth Gould (English, 1804–1841)

    Two parrots perch on a gnarled branch, their emerald and crimson feathers stark against the paper. One cocks its head, beak slightly open—mid-chatter or mid-bite. The leaves around them curl with precise veins, each line in the engraving sharp enough to prick a finger.

  • ‘einzug’ (The Arrival)

    ‘einzug’ (The Arrival)

    Franz Xaver Simm (Austrian, 1853–1918)

    A lone rider emerges from the forest, his horse’s breath misting in the cold air. Sunlight breaks through the trees, glinting off armor and damp leaves. The quiet tension of an approaching moment hangs in the stillness—something is about to change.

  • Immaculate Conception (1632)

    Immaculate Conception (1632)

    Francisco de Zurbarán (Spanish, 1598–1664)

    A young woman in blue and white robes stands bathed in golden light, her hands clasped in prayer. A crescent moon glows beneath her feet as cherubs swirl in the clouds above. The scene hums with quiet reverence, every fold of fabric and beam of light pulling the eye toward her serene face.

  • Boy in Boat, Gloucester (1880–1881)

    Boy in Boat, Gloucester (1880–1881)

    Winslow Homer (American, 1836–1910)

    A lone boy sits in a weathered boat, his gaze lost in the shimmering expanse of the sea.

  • Zirkusreiterin in der Manege (circa 1935)

    Zirkusreiterin in der Manege (circa 1935)

    Brynolf Wennerberg (Swedish, 1866–1950)

    A horsewoman glides through the circus ring, her poised elegance contrasting with the vibrant chaos around her.

  • Original water-colour drawings of birds and eggs Pl.02 (1763)

    Original water-colour drawings of birds and eggs Pl.02 (1763)

    John William Lewin (English, 1770–1819)

    A delicate watercolor study of birds and eggs, alive with intricate detail and a whisper of movement.

  • Peasant Woman Binding Sheaves (After Millet)

    Peasant Woman Binding Sheaves (After Millet)

    Vincent van Gogh (Dutch, 1853–1890)

    A peasant woman merges with golden fields in van Gogh’s restless reinterpretation of rural labor, where every brushstroke hums with heat and motion.

  • Un Soir À La Mer

    Un Soir À La Mer

    Alfred Stevens (Belgian, 1823–1906)

    A woman stands by the sea at dusk, her figure bathed in twilight as waves gently break against the shore.

  • Roses. Marie Krøyer seated in the deckchair in the garden by Mrs Bendsen’s house (1893)

    Roses. Marie Krøyer seated in the deckchair in the garden by Mrs Bendsen’s house (1893)

    Peder Severin Krøyer (Danish, unknown)

    A woman lounges in a sunlit garden, surrounded by blooming roses, her expression as soft as the light filtering through the leaves.

  • Wheatfield With Cornflowers (1890)

    Wheatfield With Cornflowers (1890)

    Vincent van Gogh (Dutch, 1853–1890)

    A vibrant wheatfield dotted with blue cornflowers, alive with van Gogh’s dynamic brushwork and emotional intensity.

  • View across the lagoon, venice

    View across the lagoon, venice

    Achille Vertunni (Italian, 1826–1897)

    A misty Venetian lagoon dissolves into twilight, where gondolas and palazzos blur like half-remembered dreams.

  • Portrait of Vivian E. Dunton with Book (circa 1920)

    Portrait of Vivian E. Dunton with Book (circa 1920)

    William Herbert Dunton (American, 1878–1936)

    A contemplative portrait of a woman absorbed in a book, radiating quiet elegance and subtle emotion.

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