Post-Impressionism Art Collection | Perfect for Wall Art, Prints - Page 5 of 9

Meules (1911)

Gustave Cariot (French, 1872–1950)

Golden haystacks rise from the fields, their rounded forms glowing under shifting light. The countryside breathes with quiet energy, each brushstroke alive with color. A familiar scene, yet transformed—something pulses beneath the surface, waiting to be seen.
A Man Leaning on a Parapet (ca. 1881)

Georges Seurat (French, 1859–1891)

A lone figure slouches against the stone ledge, shoulders hunched against the city’s hum. The rigid geometry of the parapet frames his stillness—an ordinary moment made weighty by shadow and light. His hat brim casts a sharp line across his face, hiding his gaze from the bustling street below.
Flowers in a flower-vase (1909)

Tadeusz Makowski (Polish, 1882–1932)

A simple vase overflows with blooms, their petals thick with paint, almost sculptural. The colors hum against a muted background—not delicate, but alive. This isn’t a polite still life; it’s flowers with weight, presence. You can almost feel the stems bending under their own vitality.
14 Juillet, fête forain (circa 1895-98)

Ferdinand du Puigaudeau (French, 1864–1930)

Glowing lanterns cast warm pools of light across the carnival crowd. Laughter and music swirl between the tents, their striped canvas fluttering in the night air. A child reaches for a spinning toy, face lit with wonder as fireworks burst overhead in fleeting blooms of color.
Roses (1890)

Vincent van Gogh (Dutch, 1853–1890)

Thick brushstrokes twist across the canvas—pink petals unfurl against a sea of green. The roses seem to tremble, caught between bloom and decay. That tension thrums through every stroke, where vitality and fragility collide in a riot of color.
The seamstress, Sitges

Santiago Rusiñol (Spanish, 1861–1931)

A woman bends over her work, needle in hand, sunlight pooling around her. The fabric drapes softly across her lap, threads whispering against quiet walls. Outside, Sitges hums—but here, the rhythm is measured in stitches.
Étude pour ‘La Moisson’ (1919)

Henri Martin (French, 1860–1943)

Golden fields ripple under a heavy sun as workers bend in rhythm. Scythes flash, wheat falls in thick swaths. The air hums with heat and labor, earth and sweat mingling in the dust. A moment suspended—not idyllic, not harsh, simply the harvest’s relentless pulse.
Exposition De Monaco (1920)

Leonetto Cappiello (Italian, unknown)

A bold poster bursts with energy—vibrant colors and dynamic figures draw the eye, turning a simple advertisement into a visual spectacle. The composition thrums with movement, making even a static image feel alive. It’s not just promotion; it’s an invitation to excitement.
Le balcon de Jaurès (circa 1915)

Henri Martin (French, 1860–1943)

A woman leans on the balcony railing, bathed in the soft glow of evening. The city stretches below, its rooftops dissolving into hazy blues and purples. Light catches the folds of her dress, blending with the dreamlike brushstrokes of the scene—quiet, intimate, suspended in twilight.