Symbolism Art Collection | Perfect for Wall Art, Prints - Page 7 of 9

Figure under a blossoming tree (1904 – 1905)

Odilon Redon (French, 1840–1916)

A lone figure stands beneath a tree heavy with blossoms, its branches dissolving into soft smudges of color. The air hums with quiet mystery—neither day nor night, dream nor reality. Petals seem to hover between falling and floating upward, caught in some unseen current.
Still Life with Flowers (1905)

Odilon Redon (French, 1840–1916)

A cluster of blooms floats against darkness, petals glowing like embers. Their forms blur between real and imagined—soft edges dissolving into shadow. This is no ordinary bouquet; these flowers hum with hidden life, pulsing just beyond sight. Something stirs beneath their delicate surfaces.
Birch Forest (1903)

Gustav Klimt (Austrian, 1862–1918)

Slender birch trunks rise like pale ghosts, their black markings stark against the dappled light. The forest floor shimmers with golden leaves, a silent carpet beneath the vertical dance of trees. Each slender form repeats into the distance, creating a rhythm that pulls the eye deeper into the woods.
Le bon Dieu chez les enfants Pl.11 (1920)

Francis Jammes (French, unknown)

A child’s outstretched hand meets the divine—soft light spills over innocence, blurring the line between earthly play and sacred encounter. The scene hums with quiet wonder, as if heaven leans down to whisper.
Portrait of Fabrice Polderman (1919)

Gustave Van de Woestijne (Belgian, unknown)

A man’s face emerges from shadow, his gaze distant yet piercing. The muted tones and sharp lines lend an air of quiet intensity, as if caught between thought and speech. There’s something unresolved in his expression—neither melancholy nor defiance, but something unspoken lingering beneath the surface.
Vase of Flowers (c. 1905)

Odilon Redon (French, 1840–1916)

A vase overflows with blooms—soft petals blur into dreamlike hues, their forms dissolving at the edges. The flowers seem to breathe, caught between reality and something stranger, as if they might fade into the air or grow roots through the table.
Pandora (1910-1912)

Odilon Redon (French, 1840–1916)

Pandora emerges from swirling darkness, her face half-lit by an unseen glow. The box rests lightly in her hands—its contents unknown, its weight unbearable. Shadows curl around her like smoke, hinting at the chaos about to spill forth. A single moment before everything changes.
Vill Vallareman (a Fairy Shepherd) (1910)

John Bauer (Swedish, unknown)

A lone fairy shepherd stands in twilight, staff in hand, watching over unseen flocks. The air hums with quiet magic, his presence both guardian and mystery. Shadows cling to his cloak as if woven from the forest itself. What waits beyond the trees? Only the flicker of fireflies knows.
Le bon Dieu chez les enfants Pl.08 (1920)

Francis Jammes (French, unknown)

Children gather in hushed wonder, their small hands reaching toward something unseen. Light spills softly around them, hinting at a presence both tender and vast. The ordinary room feels charged—not with fear, but quiet awe. Their faces tilt upward, as if listening to a voice only they can hear.