Flowers

  • Herrick’s Blossoms

    Herrick’s Blossoms

    Charles Conder (English, 1868–1909)

    A vibrant, dreamlike celebration of flowers in bloom, where color and light dance with poetic fragility.

  • Femme arrangeant des oeillets (A Young Woman with a Bouquet of Flowers)

    Femme arrangeant des oeillets (A Young Woman with a Bouquet of Flowers)

    Federico Zandomeneghi (Italian, 1841–1917)

    A young woman lost in thought as she arranges carnations, her hands and the flowers bathed in soft light.

  • A Vase of Flowers (1720s)

    A Vase of Flowers (1720s)

    Jan van Huysum (Dutch, 1682–1749)

    A lavish still-life where blooms and insects collide in hyper-detailed splendor, whispering secrets of beauty and decay.

  • Apple Tree In Blossom

    Apple Tree In Blossom

    William Stott of Oldham (English, 1857–1900)

    A vibrant apple tree in full bloom, its petals caught mid-dance by loose, expressive brushstrokes that blur the line between memory and reality.

  • Still Life wit Flowers (1870 – 1877)

    Still Life wit Flowers (1870 – 1877)

    Auguste Jouve (French, 1840–1896)

    A vibrant still-life of flowers, rich in color and texture, capturing nature’s fleeting beauty with delicate brushstrokes.

  • Still life with chrysanthemums, bellflowers, cornflowers and daisies in a white vase (1926)

    Still life with chrysanthemums, bellflowers, cornflowers and daisies in a white vase (1926)

    Sergey Chekhonin (Russian, 1878–1936)

    A vibrant still life where wildflowers erupt from a white vase, balancing botanical detail with expressive energy.

  • Dahlias Sur La Terrasse De L’oustalet, Saint-Tropez (1923)

    Dahlias Sur La Terrasse De L’oustalet, Saint-Tropez (1923)

    Henri Manguin (French, 1874–1949)

    A terrace alive with dahlias, where sunlight and shadow play across blossoms and tiles in a Fauvist dream.

  • Irises (1914-17)

    Irises (1914-17)

    Claude Monet (French, 1840–1926)

    A vibrant impressionist masterpiece where irises seem to sway with life, bathed in Monet’s luminous colors.

  • Flora (1892)

    Flora (1892)

    Max Nonnenbruch (German, 1857–1922)

    A young woman cradles an armful of blossoms in this dreamlike ode to spring, where light and texture blur into something tenderly symbolic.