Explore Artworks

White Garden

Sir Edward Coley Burne-Jones (English, 1833–1898)

A pale garden unfolds, where myth lingers among the blossoms. Figures move with quiet purpose, their robes brushing against white flowers. The air hums with unspoken stories, woven into the petals and the soft turn of a wrist. Something ancient stirs beneath the delicate surface.
Lambs, Nantucket (1874)

Eastman Johnson (American, 1824–1906)

Two lambs stand in a sunlit field, their wool catching the breeze. The island’s quiet stretches behind them, land and sky meeting in soft blues and greens. There’s no hurry here—just the animals, the grass, and the light holding everything still.
Armillaria aurantia Schäff. Quél. (1915-1945)

Hans Walty (Swiss, 1868-1948)

Golden-orange fungi cluster on the page, their gilled caps delicate yet bold against the stark white background. Each stem twists with lifelike precision, as if freshly plucked from damp forest soil. The engraving’s fine lines reveal every rib and curve, turning decay into something strangely elegant.
L’Innocence (1893)

William Bouguereau (French, 1825–1905)

A young girl cradles a lamb, her bare feet brushing soft grass. Golden light spills over them, highlighting the lamb’s wool and the child’s delicate fingers. A wreath of wildflowers rests in her hair—simple, untamed. The scene hums with quiet purity, untouched by time or doubt.
Morchella elata (1915-1945)

Hans Walty (Swiss, 1868-1948)

Delicate ridges spiral upward, forming a honeycombed cap. The Morchella elata stands poised, its hollow stem anchoring it to unseen earth. Shadows pool in the fungus’s crevices, hinting at damp forest floors where such specimens emerge unseen. A study in texture, each groove precise yet organic.
Leisure Hours

Ulisse Caputo (Italian, 1872–1948)

Sunlight spills across the table, catching the edge of a half-finished drink. Laughter lingers in the air, mingling with the lazy hum of conversation. A hat rests carelessly on an empty chair—someone just stepped away, but the warmth of their presence remains. Life pauses here, unhurried.
Golden autumn (1924)

Konstantin Ivanovich Gorbatov (Russian, 1876–1945)

Golden leaves blanket the village path, their glow mirrored in still water. A wooden church rises above the rooftops, its white walls sharp against the russet trees. The air smells of damp earth and smoke from chimneys. Everything pauses in this quiet moment before winter.
Song of Spring (1880s)

Francis Donkin Bedford (English, 1864–1954)

A girl stands in a sunlit meadow, her lips parted in song. Wildflowers sway around her, their colors bright against the fresh green grass. The air hums with the quiet joy of spring, as if the earth itself is joining her melody.
Portrait of a lady (1881)

Karl Gussow (German, 1843–1907)

A woman gazes past the viewer, her expression unreadable. The light catches the folds of her dark dress, the subtle flush on her cheek. There’s a quiet tension in her stillness—something held back, something about to break.
Alice Gamby dans le salon (1890)

Berthe Morisot (French, 1841–1895)

A woman sits in a sunlit room, her posture relaxed yet poised. The brushstrokes blur the edges of her dress and the furnishings, as if the air itself hums with quiet energy. Light spills across the floor, dissolving details into warmth—a fleeting, intimate moment held in soft focus.
Summer (1914)

Frederick Carl Frieseke (American, 1874–1939)

Sunlight dapples through the leaves, casting patterns on her white dress. She sits in the garden, lost in thought, a book forgotten in her lap. The air hums with warmth, the colors soft yet vibrant—greens melting into pinks, blues fading into yellows. A quiet, fleeting moment of summer.
View of Santiago de Cuba (1885)

Winslow Homer (American, 1836–1910)

Sunlight glints off Santiago de Cuba’s rooftops, casting sharp shadows across the bustling streets below. Palm trees sway against a vivid sky, their fronds brushing the horizon. The city hums with life, its energy trapped between sea and mountains in a single, breathless moment.
Jardín De Sa Coma. Valdemosa (Garden Of Sa Coma, Valdemosa)

Santiago Rusiñol (Spanish, 1861–1931)

Sunlight filters through lush greenery in a quiet Spanish garden. Vibrant flowers burst between shaded paths, their colors vivid against the dappled light. The scene hums with life, yet holds a stillness—a hidden corner where time slows. Every brushstroke pulses with the warmth of Mediterranean air.
Woods in autumn (1865)

Frederic Edwin Church (American, 1826–1900)

Golden light filters through the trees, setting the leaves ablaze in red and orange. The forest floor hums with warmth, each fallen leaf a whisper of the season’s turn. A quiet path winds deeper, inviting you into the heart of the woods.
Unidentified Fish (6)

Luigi Balugani (Italian, 1737–1770)

A slender fish, scales shimmering under imagined light, floats mid-page. Its delicate fins fan out like translucent lace, frozen in watercolor strokes that blur the line between specimen and living creature. The paper seems to ripple where its tail brushes the edge.