Symbolism Art Collection | Perfect for Wall Art, Prints - Page 8 of 9

Les Enfants De Monsieur Neve

Fernand Khnopff (Belgian, unknown)

Two children stand frozen in a dim room, their pale faces half-lit. The girl clutches a doll tightly, while the boy stares past the viewer with unsettling calm. Shadows cling to their stiff postures, suggesting a story left untold. Something lingers beneath the surface—quiet, unresolved.
Interior with the Chimera Playing the Guitar (1908)

Jacek Malczewski (Polish, 1854–1929)

A chimera lounges in shadowed lamplight, plucking guitar strings with clawed fingers. The creature’s mismatched eyes gleam against the dim interior, half-smiling at some private melody. Wooden floorboards creak under its coiled tail. No human ears hear this music—only the walls, the furniture, the gathering dark.
Large Green Vase with Mixed Flowers (1910 – 1912)

Odilon Redon (French, 1840–1916)

A green vase overflows with blooms—some delicate, others bold—their petals almost trembling against the dark. The flowers seem to whisper secrets, their colors glowing like fragments of a dream.
Poet And Satyrs (C. 1890-1895)

Gustave Moreau (French, 1826–1898)

A poet sits among satyrs, their wild eyes gleaming. The air hums with unspoken verses and untamed laughter. Myth bleeds into reality where ink meets vine, and the boundaries between sacred and profane dissolve. Something ancient stirs in their shared silence—a pact, a temptation, a song waiting to be sung.
Blumenstrauß in brauner Tonvase (ca. 1900 – 1916)

Odilon Redon (French, 1840–1916)

A loose bouquet spills from a brown vase, petals soft yet vibrant against the muted tones. The flowers seem to hover between dream and decay, their delicate forms dissolving at the edges. Something lingers beneath the surface—not just blossoms, but whispers of color and shadow.
Etruscan Vase with Flowers (1900–1910)

Odilon Redon (French, 1840–1916)

A delicate Etruscan vase overflows with vibrant blooms, their petals soft yet electric against the muted background. The flowers seem to pulse with quiet energy, as if holding secrets just beyond reach.
Impéria (ca. 1899)

Alfred-Pierre Agache (French, 1843–1915)

A woman draped in flowing robes stands with solemn grace, her gaze distant yet commanding. The air hums with unspoken meaning, her presence both regal and enigmatic. Shadows cling to the folds of her garments, hinting at mysteries woven into the fabric of the scene.
Frühling (1900)

Franz von Stuck (German, 1863–1928)

A nude woman emerges from shadowed foliage, her pale skin glowing against the dark leaves. A snake coils around her wrist like a living bracelet—both threat and adornment. Spring arrives not with blossoms, but with this unsettling union of flesh and serpent, beauty and danger intertwined.
The King of Thule (1896)

Pierre Jean Van der Ouderaa (Belgian, unknown)

A weary king clutches his golden goblet, shadows stretching long across his crumbling throne. The last ruler of a fading myth, his hollow gaze lingers on distant shores where legends drown in twilight. The cup trembles—one final sip before the sea claims everything.