Explore Artworks

  • Field of Poppies, Isles of Shoals (1890)

    Field of Poppies, Isles of Shoals (1890)

    Childe Hassam (American, 1859–1935)

    Hassam captured the natural beauty of poppy fields in the Isles of Shoals.

  • Pomona (1900)

    Pomona (1900)

    Childe Hassam (American, 1859–1935)

    Hassam depicts Roman goddess Pomona, symbolizing cultural nurturing and heritage.

  • Strawberry Tea Set (1912)

    Strawberry Tea Set (1912)

    Childe Hassam (American, 1859–1935)

    A serene domestic scene capturing a woman’s quiet contemplation by a sunlit window.

  • The Sonata (1911)

    The Sonata (1911)

    Childe Hassam (American, 1859–1935)

    Hassam’s “The Sonata” portrays the fusion of music and tranquility, capturing a reflective post-performance moment.

  • Saint Romuald Refuses Emperor Otto III Admission to the Church (1435)

    Saint Romuald Refuses Emperor Otto III Admission to the Church (1435)

    Fra Angelico (Italian, 1400-1455)

    Fra Angelico portrays Saint Romuald denying Emperor Otto III entry, highlighting religious conviction and artistic mastery.

  • Saint Romuald (c. 1440)

    Saint Romuald (c. 1440)

    Fra Angelico (Italian, 1400-1455)

    Fra Angelico’s portrayal of Saint Romuald exemplifies Early Renaissance religious art.

  • Virgin of Humility (1433~1435)

    Virgin of Humility (1433~1435)

    Fra Angelico (Italian, 1400-1455)

    Fra Angelico’s “Virgin of Humility” portrays a tender moment between the Virgin and Child, exuding sacred serenity.

  • The Virgin and Child with St. Anne (1500-1513)

    The Virgin and Child with St. Anne (1500-1513)

    Leonardo da Vinci (Italian, 1452-1519)

    Leonardo da Vinci’s painting captures Saint Anne, the Virgin Mary, and infant Jesus in a tender moment, highlighting themes of maternal love and sacrifice.

  • The Circumcision (1661)

    The Circumcision (1661)

    Rembrandt van Rijn (Dutch, 1606–1669)

    Rembrandt’s portrayal of Jesus’ circumcision captures the blend of humanity and divinity with emotional depth.

  • Simeon’s Song of Praise (1631)

    Simeon’s Song of Praise (1631)

    Rembrandt van Rijn (Dutch, 1606–1669)

    “Simon’s Song of Praise,” painted in 1631, depicts an elderly Simeon in the temple, overwhelmed with joy upon seeing the infant Jesus, bathed in divine light. The scene is filled with emotion and drama, particularly through the contrast of light and shadow, which symbolizes the divine presence. Simeon’s posture and expression convey praise for God […]

  • Daniel and Cyrus Before the Idol Bel (1633)

    Daniel and Cyrus Before the Idol Bel (1633)

    Rembrandt van Rijn (Dutch, 1606–1669)

    Rembrandt vividly captures the dialogue between Daniel and Cyrus before the idol Bel through contrasting light and shadow.

  • L’Innocence (1893)

    L’Innocence (1893)

    William Bouguereau (French, 1825–1905)

    Bouguereau’s delicate brushwork captures motherhood and purity in a serene setting

  • Copy after Raphael’s Sistine Madonna (19th century)

    Copy after Raphael’s Sistine Madonna (19th century)

    Rudolph Geudtner (German, 1811-1892)

    Geudtner’s delicate reproduction captures Raphael’s “Sistine Madonna” with precision.

  •  Still life with violin

     Still life with violin

    Bernard Meninsky (British, 1891–1950)

    “Still Life with Violin” is a still life painting by Bernard Meninsky, depicting a serene arrangement of a violin and other objects. The composition is simple, with soft colors, showcasing Meninsky’s sensitivity to form and light. This work reflects Meninsky’s deep observation and artistic expression of everyday items, conveying a tranquil and introspective mood.

  • Vergißmeinnicht-Stilleben (1913)

    Vergißmeinnicht-Stilleben (1913)

    Gustav Crecelius (German, 1881–1914)

    Crecelius’s “Forget-Me-Not Still Life” captures natural beauty and a tranquil mood.