
Hassam’s “The Island Garden” captures the natural beauty of poet Celia Thaxter’s garden on Appledore Island.

Raphael’s “Sistine Madonna” portrays the Virgin and Child, with the two cherubs below becoming iconic figures.

“The Birth of Venus” portrays Venus emerging from the sea, embodying Renaissance ideals of classical beauty.

Waterhouse’s “Circe Offering the Cup to Odysseus” depicts the sorceress Circe offering a magical potion to the hero Odysseus.
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John William Waterhouse’s 1898 painting “Juliet” portrays the innocence and melancholy of Shakespeare’s heroine.

“The Soul of the Rose” is an oil painting created by John William Waterhouse in 1908. It portrays a red-haired woman deeply inhaling the scent of a rose in a garden. The inspiration for the painting comes from Alfred Lord Tennyson’s poem “Maud,” specifically the line “And the soul of the rose went into my […]

Monet’s Woman with a Parasol immortalizes his wife Camille and son in a sunlit embrace, where swirling brushstrokes blend maternal warmth with the whisper of fleeting time

John William Waterhouse’s 1908 masterpiece Gather Ye Rosebuds While Ye May (118x157cm, oil on canvas) reimagines Robert Herrick’s 17th-century poem To the Virgins through an Edwardian lens.

At the dressing table, Serebriakova reflects not beauty alone, but a self defined with clarity.

Monet’s radical “broken color” approach—applying pure pigments in rapid, unblended strokes—achieved unprecedented luminosity.

Painted during Vincent van Gogh’s voluntary stay at the Saint-Paul-de-Mausole asylum in 1889, this canvas pulses with raw energy, yet whispers of fragile control.

How a Little Black Dress Scandalized Paris?Dubbed the “American Mona Lisa,” the painting’s stark contrast of pale skin against dark velvet symbolizes both aristocratic allure and societal rebellion.

Garden of Solitary Enjoyment refers to a site built in 1073 by the statesman Sima Guang (1019–1086) after he had retired to Luoyang, Henan province. Every spring, visitors would flock to his garden.

Ming dynasty Buddhist scroll depicting Vimalakirti’s debate, blending ink precision with mineral pigments, housed in Taipei Palace Museum.

A scholar contemplates the vista from a pavilion, while a visitor on a donkey crosses a frost-laden bridge, their postures subtly conveying winter’s bite and literati resilience